Like most American dramas, a strong opening atmosphere is created. Strong protagonist A story, however, the motivational driving force of the villain is not clear, and the values of the white-robed death of the key character are not clear.
Except that the first episode did achieve a high information density, in most of the episodes, the play has a feeling of water injection - many bridges, neither play a role in the main line of the A story, nor in the B story, for example, come when you come dance.
This work is very obviously rubbing against the hot spots, rubbing against Trump's strong US-Mexico border, and rubbing against the hot spots of American racism.
In addition, Ga Heide III, forcibly on the American soil, used Nazis to increase the power of the villain. Anyone familiar with history knows that the Führer did his best not to go to war with the United States throughout World War II, before the Japanese pig teammates bombed Pearl Harbor. The three German navies could not even win against the United Kingdom. Before winning the Soviet Union, they never thought about the United States. This is very dramatic, the whole process embarrassed Heide III.
However, to praise the director's basic skills, the basic audio-visual skills are still very accurate, but they are dragged down by the drama. Molly still has support at the psychological level, but if she says suicide, she commits suicide. The existence of the white-robed god of death is infinitely close to 0. Dormer's performance is the opposite, and there are not enough exciting scenes to show the evil of the devil's whisper. In the episode where the whole family got together in the bar by chance, the male protagonist's family, lined up one by one, started to tear at any time, and forced a reconciliation after a few shots.
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