The fan-shaped interval radiated by the mainstream assimilates those who surrender, and also sweeps away those who are dissidents, so that the mainstream maintains stability and expands benefits. The vast area outside the mainstream spectral field of vision has no choice but to be content with the boundless darkness. Among them is the original ecology of truth and goodness (which can be understood as pure animal feelings). Such truth and goodness are a kind of defect. Like physical defects, if they cannot be corrected, they will be used by the mainstream world without gratitude. abandon. The "normal" world mainly uses mentally impaired persons (proving conscience, embellishing morality, providing consolation), and physically exploiting persons with mental impairments (scapegoating, shielding, exploiting the economy, absorbing labor), but whether spiritual or physical, The actual attitude of the mainstream towards them is the same - rejection, giving up, even if they try to improve and eliminate them, it is useless and should not be counted on. Although sad to say, it is also a law, powerful and effective since ancient times, and any attempt to escape the "gravity" of this law will eventually vanish. As for who decides the mainstream, it is not something that any individual in this life can worry about. It is the result of an accidental and inevitable melee in the long river of history. From the perspective of the vertical time "satellite cloud map", its movements cannot be manipulated by one person, nor can it be manipulated by one person. Reversible material. Having said that, it is precisely because of disability that this high-purity love that falls in the "infrared-ultraviolet" region of the mainstream spectrum becomes possible. It is an oasis that is invisible to the mainstream world.
This film touches the above propositions, which is great. The unexceptional common problem is excessive force - if the "princess" transforming into a normal imagination only occurs once, that is, because of the love of other couples playing in the city rail, he suddenly stands up and beats his boyfriend's head with an empty plastic bottle, within a mirror. The moment is no different from ordinary people. On this day, the outer magic pen directly pokes the tear point. If it stops at this point, it will be the "eye of the air" in the whole film, and the less is more the lingering sound. It's a pity that after using it several times, it has become more and more flooded, and it is suspected of failing again and again. Fortunately, the director made some settings for the specific turning points of the female protagonist to become normal in the following episodes, and did not transform at the transformation point that the audience thought, which can be regarded as a remedy.
Writers and directors tend to be like this - if you understate it, you will be poor, if you use too much force, you will fail. But directors often prefer to commit over-expression failures rather than being unsatisfactory. They must have been restricted for too long before, and then rebounded in revenge. Improper expression can not help. Off topic.
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