The translation of the name into "The Bride in Black" is more in place.
Truffaut shot this film to pay tribute to Hitchcock, but he is not a suspense Producer after all. So it's just a suspense, the motive for the murder, that runs through. However, this tribute film has become a unique interest and is closely associated with Jeanne Moreau.
The bride who lost the groom, implements a serial murder plan. (Like kindly gold, Nemesis) What's interesting is that there is absolutely no psychological portrayal of today's movies, which is that Jeanne hurriedly, efficiently, and uses various methods to steal the enemy's name. It's just like a game master slashing multiple levels of difficult games. The end is clearance! Jeanne surrendered herself to prison, and ended the last enemy - a prison guard's life with a simple shot. The gunfire stopped and the movie stopped. simply!
Make no mistake, I'm not laughing at Truffaut's non-movie platoon game. Even Na Moro's silence shows neither the piercing pain nor the psychological change. But her composure and vicissitudes, or simple statement, let people see the process of a person's rapid implementation of firm determination. Modern people are too sensitive, and their almost perverted worship of psychoanalysis obscures the process and gives the characters invisible hearts. Who can see the face of the "heavy makeup woman"?
The film is succinctly succinct and, even if it ends long, is reminiscent of Jeanne Moro. In the sensibility of Truffaut, Jeanne made everything firmly affirmed, and the action was so light and effective. Hehe, let's get to the revenge skills. Don't worry, I won't. It's just for the simplicity and simplicity that makes Na Moro fascinated.
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