Surprisingly, this kind of chic movie appeared as early as the late 1960s. France is worthy of being a country of art and leading fashion. The seductive body and costumes of the golden boy and girl are full of eroticism, coupled with the charming jazz soundtrack of master Michel Legrand, a coveted French romantic style jumped onto the big screen. It is said that a well-known perfume brand once used a certain segment of Alain Delon in the film as an advertising endorsement, which is enough to prove the success of this film in casting. Although Alain Delon and Romy Schneider had long since broken up at the time of the filming, there was no embarrassment to the intimacy on the screen. In addition, Jane Birkin in her youth was also stunningly beautiful. The plot and suspense make people feel boring, and this old-fashioned triangle/four-corner relationship is boring. The crime of passion in French films is always an endless topic, madness and romance coexist, and only the French can handle such topics as empathy and incest.
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