Around 7.6 points. At first I thought the title was really misleading most people into thinking it was just a woman's story and that she was only a small part of the story. It wasn't until later when she started typing on the typewriter that I realized that those rambling typewriter shots were referring to Anna. She is like the soul of the whole movie, deeply lonely, her lust is like a dead black goat buried and needs a resurrection - so there is the Easter dream.
When loneliness surrounds loneliness, there is no difference between men and women, as Andres, Eve, and Anna. Especially the feeling that Andres gave me, how is the character set so close to the look in "Jackal Hour" - saying that as Bergman's queen actor and actress, they really played a pair in too many scenes, so that the faithful The audience joined the show - so it felt like there was going to be a crazy upheaval in the background, and it really did.
Complementing Bergman's films in order, black and white finally entered color from this one. Although the oil painting texture weakens the inherent coldness in his films, it is really too beautiful. For example, Uman's black and white film really doesn't look good. I didn't expect that after "coloring", she is a beauty with such breathtaking pupils. Coupled with her innate natural and smooth acting charm, it's no wonder that Bergman falls into her tender land.
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