During my lunch break, I saw a repost on Weibo, indexed to the three words of Su Zhixie, which whetted my appetite, and I collected this movie.
At 17:35, when I was about to get off work, I received a call. On the other end of the phone, I told her in a very light tone that loneliness is not loneliness, loneliness is loneliness; you are you, and I am me.
Back at home, turn on the computer, and look up the address from the favorites...
I want to use a Korean love movie, So Ji-sub, the solemnity on the other end of the phone, whether lonely or lonely, take a few shots Only cigarettes, a cup of hot water, everything mixed together, let it fill my brain, my body, and my eyes...
......
I looked at the story with disdain The foreshadowing of the layers, the plot is as bloody as always: A blind girl gets off work, does not go home, and watches TV with the grandpa who is guarding the door downstairs in the company. Is there anything more sinister than this? I seriously despise this kind of transferred warmth: a non-stop rainy night, a small and crowded security booth, a bunch of dim lights, a drama with nonsensical lines, a pair of men and women who have never lived together, he looked at her , she felt that he was looking at her, turned his face to look at her, he saw her looking at him, turned his head embarrassedly, and didn't look at her, I deliberately captured some details, including a plant in the corner , Ye Lai Xiang, who can't be raised to death, and the clue of the final parting, also known as the bond-a-lunch box. For the sake of the soundtrack, I patiently let it continue. But I can't help but say: Sure enough! Writer, you watch a lot of Korean dramas.
It is estimated that this kind of bland opening scene can't rouse love or shed tears. The story is immediately added: the role of the boxer, plus Su Zhixie's standard resolute expression, there are a few more ironies on the side, give the previous one With a crisp slap in the face, the feelings of the characters became entangled in an instant. We unconsciously activated the mental model, and then refined the characteristics of the characters to obtain general feelings, so we began to play...
For the purpose of watching romance movies, we naturally have to write the details of love in detail, and Korean love movies have a rule of close-up embarrassing plots, because only in this slightly relaxed atmosphere can we feel love more intuitively. The story begins: at the embarrassing moment between him and her, he just smiled knowingly and chatted casually like that. Then there were many firsts: the first mutual recognition of names, the first physical contact, the first warm words, the first shyness, and overwhelm; all the resonances about love frequently collided with us, you It will be found that the film is realistic, and we are integrated...
In this part, we begin to enjoy: men and women, we begin to make an unconscious fantasy substitution---me and her, me and him; or It's a kind of realistic modeling. It's like he's carrying her home, and you're across the road, watching it live and feeling the plain romance they interpret. In that part, the corners of our mouths slowly rose and we smiled faintly
......
The soundtrack is up again, some are light, some are funny, let's pretend to be cute; let's kiss, it's so sweet to you Well, I'm in a good mood~, I want to fall in love~... Hee hee,
because the story can't end here, so the waves are coming, the foreshadowing buried in the front will echo at that time, it's time to sublime to the point I was moved, I started to tell stories other than love, and it was about a tragic fate. The screenwriter prepared the material for us to vent, so the tone became darker, and the mood gradually became heavy, and we started to stop talking... It was
like Our relationship, after the initial ambiguity, to the most beautiful period of blind date and love, I am afraid that the only thing that will come back is to go through the wind and rain together and be plain together. Because we are young, we don’t know the pain, we don’t know the difficulty, what we want is vigor and brilliance, but the reality is unsatisfactory, we need the bloody plot stimulation, and the movie is climaxed
...... ..
He took her to a place he liked, and she entered his heart; she had hope to see him, he took risks to help her, so she could see, but he was disabled, and what he saw was the poor The reality of husband and wife grief is about the principle of sharing weal and woe. This simple logic, coupled with plain expression, is enough to touch human nature. When the heroine uses mud to create a strange yet familiar face, when she sees the token falling from her tightly clenched fist, when Dingjia returns to the store and smells the hero's scent, the heroine When we rushed out excitedly, well, we started to be completely moved...
This is a very standard Korean love movie, there is nothing surprising about it, there are not many places to stand out, and the movie itself has a high score No, it's actually more like a toilet, suitable for people who have poor emotional catharsis and whose life is dull to constipation. There is nothing to recommend, just take a look when you are lonely.
--------------This film review, written on the second slow-motion replay + key moment tentatively + pretentious dislike
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