The 6th screening day of the main competition unit of the 7th #Faro IslandFilm Festival# will bring you "Song of Opportunity", and the following will bring you the variable evaluation of the frontline fate!
Sunset:
Pioneer structure.
Sporadic nameless:
Years come and go.
The song is wrong:
Faith and life are out of control.
sparrow:
The originator of the syllogism is also a lesson in "Lola Run" and other films. Sadly, any decisive moment in life is still choked by fate and times.
Fruit trees:
There are always movies that remind you why the word movie deserves to be loved, and this is one of them. The soundtrack is too substituting sense of destiny, and the panning and motion follow-up shots are perfect and connected naturally without any traces. It is more than enough to show the accidental but not enough to show the inevitable. Maybe this is even more embarrassing?
Faroe Islander:
It is not difficult to explain that in 1987 Krzysztof Kieslowski produced pessimistic works such as "Song of Opportunity". After all, two years later, the People's Republic of Poland changed its name to the Republic of Poland. On the eve of the shuffle, No matter whether you are radical or conservative on the left or right, the cards and chips in everyone's hands are bound to be messy.
Xiaofeng and your waning moon:
No matter what choice you make, especially in sensitive times, the political environment will always have an irresistible impact on those in it. Whether you agree, oppose, or neutral, a failed political situation will surely make you suffer. Kier's political criticism is very strong, and the pressure from the authorities at that time can be seen in the uncut version. The structure is very delicate, and Kier's soundtrack is so good.
Pincent:
It not only depicts the special historical and political environment, but also captures the novelty of structure and form and the reflection of the fate of life, returning to the powerlessness of "in such a society, no matter what you choose to encounter, your fate is not in your own hands". sense. There are several interesting aspects of the scheduling design. The actors are almost standing behind the camera, and the other party is basically speaking to the audience. There are some changes in the subjective and objective perspectives, and there is also the documentary quality of the hand-held photography following the actors.
Cornices:
The three periods of life are divided by the changes of beliefs, namely belief in communism, belief in God, and non-belief. That is, as the male protagonist said, "I am responsible for myself." , the director is discussing an existential predicament, and the change of belief is just a more powerful demonstration of the impermanence of fate, eternal confrontation with spiritual dependence, and always triumphant, but he does not advocate nothingness, he is still emphasizing that people follow the situation Underneath the adaptability, a necessary self-consistency can fundamentally resist the tricks of fate. When I reminisce, I realize that the three paragraphs of life experience are so well-organized that they have completed various rhetorical expressions.
I know a little about her:
"Look, remember this knife, cut my body, study my wind and rain. This circle is me, that circle is you, happy and happy. Look, the traces of growth, wrap my life, and engrave my seal. Counting me, counting you, the intractable past. One is crying babies, the other is learning games, the third is youth stories, and the fourth is meeting you by chance. Understand this you, indulge in this you, time pause. Continue. In the lonely night, one hundred doubts, one thousand struggles to wake up, ten thousand leaves you with an iron heart. Experience this you, live this me, and count yourself. Listen to the signal from afar, the beauty of pain will still rise slowly When I think of me, I think of you, and the sadness is unbearable. Listen, the warning issued, the cigarette butt of the embers, will still burn the thoughts, burn me, burn you, the future to come."
Quit the smoke:
Anyone who knows me knows that I have never been very fond of such so-called "boring films" that talk about deep topics. When I first watched it, I was in this mood, thinking that this film would at most be a pass for me. . But what I didn't expect was that the works of Krzysztof Kieslowski, the director of the first Golden Train "Red, Blue, White and Red Trilogy", can always bring different surprises to the audience.
This kind of film with multiple life choices will remind people of the current interactive games, but this film is to let you see through different life paths at one time. Interestingly, these different life paths allude to different political inclinations and religious beliefs: whether it is the Communist Party that chose the highest ideology of that era, or working underground and secretly believing in God, or not having anything to do with any ideology. , we are all surprised to find that the end result is always less than satisfactory. (The end of the third paragraph is very interesting, I laughed out loud on the spot) Maybe this is what it is implying, after all, something like fate seems to be random, but in fact, to a certain extent, what it wants you to do, you don’t care. After changing various methods, the result is still locked.
In addition, the film technology is superb. Kieslowski's photography seems to have magic power, leading the audience step by step through a person and an event to explore where the ultimate fate will lead. The soundtrack also has the struggle and helplessness of the sub-destiny. Although it appears repeatedly, it is not annoying. To a certain extent, this is probably the charm of the art of "movie" - it will always use unexpected ways. Spread out the passwords of one life after another for you.
#FIFF7#DAY6's main competition magazine score will be released on the broadcast later, please wait and see.
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