It's not as good as "Eight Beauties". The male protagonist said "betrayal" in front of his friends. In fact, he was saying that he betrayed his girlfriend at the time when he met the female protagonist on the beach + the female protagonist betrayed himself on the wedding night. It is not necessarily that the male protagonist really betrayed the female protagonist. These female protagonists know Du Ming so added the scene of the heroine wiping tears. During this period of time, Benny and Rohmer watched each other, so Rohmer could watch every movie and never get tired of it. Ou Rong was still too tender, and the beach scene was different from Rohmer. Rohmer's ability to make dull plots very charming, and you can't stop watching. This is skill, and Ou Rong is much mediocre. I can't help but wonder how the beach scene Rohmer will be. I also read a lot of the master's big boring films, but Rohmer did not have such a burden at all. The essence of French films can only be reflected if the form is scattered and the spirit is not scattered. With the masters gone one by one, there are few surprises in French cinema.
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