Anamorph Art Murder

Samara 2022-07-14 21:03:53

The reason why I watched a movie on PSP

is that I haven't watched it for a long time, and I feel that I have no motivation.

Now I think about a good suspense movie that I

should watch on the projection, and

what do I need?

I think it is the following elements: The order is the order in which these elements appear.

1. The first Crime Theme must be shocking: it must be bizarre and terrifying, not just disgusting to win; and it must be close to life, it is best to create that bizarre The props for the scene can be bought by the audience in the supermarket; for example: "CSI Miniature Model Murder", "Seven", "Anamorph"

2. As the story unfolds, there is always some kind of mysterious information or knowledge that appears, and the mysterious It is best to have something that the audience has heard of but not studied deeply; for example: "The Da Vinci Code" is a pity that the book is better, "Anamorph", "Seven"

3. Reasoning drives the development of the plot and the appearance of characters in any scene, But in the end, the case cannot be solved by reasoning; for example: "Seven", "Anamorph"

4. The final scene must be the spiritual sublimation of the whole film and the story, and the twist must be drawn strangely and beautifully, bringing the audience Disappeared in infinite uncertainty; for example: "Seven", "Butterfly Effect",

"Anamorph" almost accounted for all, but the most crucial point was not accounted for.

Therefore, it can be said to be a good suspense film, But it's not the most masterpiece.

4 stars is a good comment

. The protagonist's interpretation is very good, but it may not be likable in place. The half-old and decadent old man will not arouse the enthusiasm of the public,

but I like it like this Characters, autism gives them unprecedented training in analytical, born detectives

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Extended Reading

Anamorph quotes

  • Stan: [lecturing to class] Don't be seduced. Avoid psychological speculation related to the killer's intent. We may never know why he did what he did. He may never know. Treat the boundaries of the crime scene like a frame, and limit your analysis to what is presented within it. Sit with it, don't rush things, and above all, in your initial encounter with the crime scene, trust your own eye. Remember, all you really have is what the killer left behind - his work, his aesthetic, if you will.

  • Stan: I used to touch things all the time when I'm down.

    Sandy Strickland: That's why you're good at what you do.