It's a "blockbuster" posture when it's done, and it's estimated that the money will be spent like flowing water.
However, the director seems to be overly enthusiastic about the MTV-style expression. The narrative is not strong enough, and the lines are scattered and apathetic. The most obvious problem is the rhythm. The beginning of the chapter surprised me a bit, but the whole chapter is a mode to the end, but you are chasing me, rushing to play, there is no climax, no tension. Because of the deliberate breakout, the shots are shattered and the emotional lines are repeatedly cut off, making it difficult to saturate, smooth and coherently. The boiling point has not yet been reached, and there have been frequent blunt transitions between fields. There are many incisions and large gaps, so I have to fill the music too full. Be sure to fill it in. It seems that it will not stop for a moment. Add a layer of typing sound, almost chasing it from the beginning to the end, making the eardrum pain.
The actor is not to blame for the flatness of the performance. Everything makes the two protagonists have no "drama" to dig. Some can only show some facial expressions to the camera, and the others can be edited and put together. The actor seems to be busy changing masks, busy following the set route, busy memorizing his own lines, and even the opponent scenes and inner scenes do not feel any confluence and excitement. Simply speaking of James McAvoy's qualifications, he is an actor that is both very useful and easy to use, but it's a pity. As for Keira Knightley, he doesn't know how to act, and now I just can't blame her.
A digression is that I have high hopes for James McAvoy, and I was eagerly waiting for him to win the Oscar statuette from Daniel Day Lewis with this film. Now it happens that I don’t have to be too concerned about the latter, so as not to be bothered. I feel sorry for anyone who wants to kill.
Besides photography, poisoning is not superficial. The theme of the film is not thin, but the filming is thin. The picture is empty and beautiful. I'm too tired of using it. I probably know too well where I am making a literary film. I fear it will not be beautiful, it will not be literary and artistic, and it will not look like a photographic book.
Its body is full of business, and every inch of its figure reveals charm. It is no longer enough to describe "opening arms to welcome the audience", it is simply a gesture of throwing arms to the audience and accepting Huan's knees.
During the viewing process, I suspected that I was watching the British version of "Golden Armor" or "Night Banquet", a lot of fancy, a lot of superficial work! It’s nothing more than the trailer.
PS: Stop mentioning that artificially long shot, okay? The same shows the war scene, compare the 7-minute long shot at the end of "Son of Man", and think about what is the real long shot and what is the long shot for the long shot.
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