Once Hollywood action stars become warm, they still seem to have a bit of skill. For example, Kevin Costner in "Bodyguard", Nicolas Cage in "Changing Face", and Bruse Willis in "The Sixth Sense". His last sad turn in the movie, everything is nothingness, returning to an illusion of peace. And the little boy with ghost eyes. A lingering American English, thin and frail, so beautiful. The director was very careful in portraying this little boy: when he appeared on the stage, he let him subconsciously wear a pair of eyes without lenses. He knew that this action had no meaning, but he couldn't control it; he would do it every time he came out of the church. Taking away an icon at random, his red tent was filled with icons stolen from the church. His heart yearned to be protected by God, but under the light of the flashlight, the face of God looked strange and blurred. The huge fear in his heart is not known, and everything becomes a barrier to communication. Many people look sad because they see the shadows in their childhood or teenage years. When you were very young, would you curl up alone in the quilt thinking about death? It should be more painful than an injection, more painful than a knife cut, and more painful than falling from the top of a school building Some of them should be more painful than the death of their parents, they should be more painful than having their bones emptied, and they should be more painful than floating in space. In fact, when we were very young, all kinds of nihilism have been thought about. What happened later was just some confirmation. The filming of the movie is also excellent. For example, the scene depicting Crowe trying to approach Cole in the form of a game, enabling him to sit on the chair in front of him and talk to him. There is no skill, just a simple lens change, but it is handled very cleanly, just like the conversation that happened between them. It seems that there is no room for maneuver, but it is definitely not any simple right and wrong question. There are also some cutscene shots, mostly with gloomy back shots. For example, Crowe found the phrase "Out of the depths..." in a Latin dictionary. Immediately after the shot of, there was an icon of light and shadow changing in the early morning taken from upside down. From a certain angle, it was a little distorted; and after the shot of Cole in panic and eager to sleep with his mother, immediately followed by a nearly The sky and the church were squeezed into a desperate gray mood from the right-angle upward shot. I also want to mention the young man who gave a glimpse of the film, the sick young man with a gun. Although only a few minutes, but his acting skills are really impressive.
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