I have seen many movies about reflecting on war before, but in most of these movies, we see the entire story from the perspective of God, and the continuous long shots of the third-person perspective adopted in this movie are anti-war films in the past. The movie is rarely used, which greatly enhances the sense of substitution. Two of the shots are tense and suffocating.
The first is when the protagonist is in the house. When the door is suddenly knocked, you can almost feel the heroine’s heavy breathing on her neck. The other is the crowded entrance of the church porch, the door is squatting. After being smashed, the lens was fixed at the height of the head. At this time, the viewer was like being squeezed in a desperate crowd, and the door in front of him would be knocked open at any time.
Most of the previous movies described the cruelty of war as the main body of the anti-war, and this movie did not have too much flesh and blood, and even many gun battles had a lot of water, but it is this kind of immersive The experience of war allows viewers to experience the cruelty of war more intuitively. No matter how strong the body is, it only takes a bullet to fall.
When Stupe died, there was no tragic soundtrack, nor hypocritical dying words, so the protagonist who casually watched all the way died like this, and it was the same when the heroine died at the end, following the camera we saw that in the war The contempt of human life makes us even more disgusted with war. Surrounded by familiar neighborhoods, familiar commissary owners, and subway commuting every day, the city turned into a Shura field during the war.
It’s hard to imagine that Dave Bautista can be the producer and protagonist in this movie. After years of hard work, he was born in WWE, and his acting skills have become proficient. He has portrayed an angry and sad veteran image quite plump.
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