I'm talking about death with you just to show something touching

Jamir 2022-01-20 08:02:03

First of all, this film reminded me of the love-burial family style that came from abroad at the end of the twentieth century, but this did not reduce the taste of the film too much.
Death does not have to be profound and specific to have educational meaning. It is reasonable to be able to pave the way for death without cause. I have never seen the second film. The trend is a bit like Woody Allen's "The Unreasonable Man". This death is unreasonable and absurd.
Putting his mentality into consideration, the male protagonist is brave and ignorant. What is the most rebellious thing you and I can do in the beginning of adolescence? In those years, hiding in the toilet and smoking, deflated the female classmate’s bicycle, washing and blowing, after school, two groups of people took up a guy in an alley after school to fight for a certain girl. These are without thinking, without struggling, and they are far from death.
I have always felt that groaning without disease is a cruel word, but whoever writes words can completely have nothing to do with this word? All creations are suspected of being exaggerated because there is no absolute empathy. Or maybe, you have survived that stage, and youth has died for you, and then you will laugh at someone like the hero.
He is brave. Be brave to yourself, brave to life, brave to death, but not to the world and others. When the second psychiatrist talked to him across the door, the cycle turned natural and subtle. He began to turn from being persuaded to persuading the pink girl. Here we are almost convinced that he will not be corrupted by her or even redeem her. This foreshadowing Buried carelessly but reasonable, this makes the final plot trend a bit unreasonable. Why did such a person who wanted to dedicate himself to others and caring for his parents in his heart died?
Milan Kundera said a sentence in "The Unbearable Lightness of Life" that pressed my heart for a long time: "The bad is bad, he is too introverted."
The troubles of the teenager were fermented under the rendering and driving of the pink girl. It became heavy. In fact, the girl was only invited to death for the sake of a charm. What she always believed in her heart was that he was the same as she thought, he and she were the same people, and they both made up their minds not to die, but how to relieve their worries? Only talk to death. At that age, we looked forward to something moving more than ever, but suffered from what we couldn't achieve. Whether it was hypocritical or miserable, this was just our way of communication.
And he seems to epitomize the Polish form under the economic crisis, highly sensitive, eager for external power, and a life form that is too naive like a morula, so that this death is not worthy of sympathy, nor is it worthy of pain. Heavy has become light.
I have seen a man who chose to commit suicide after returning home a few days from leave. The male lead reminded me of this man. When I got home, my parents would not believe how lost their children were. Adults always deny the pain and struggle of youth. It's clean if it's dead.
It is strange that the single (single, not thin) plot did not make this film too bleak, and the male protagonist’s looks and acting skills are really stunning. There are two details that make me think this is a natural actor. The first is to walk to the door and suddenly turn around and look back, but staring at the ceiling first, and then wandering around. This is too natural and flowing. The second is to see Alex posted a video of him and him. He looked crazy in bed, very disorderly and surly. This gives people a sense of voyeurism. It is difficult for anyone to take this to the world alone. The sulking stupidity is particularly aggrieved. This is too embarrassing and too genius.

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Extended Reading

Suicide Room quotes

  • Sylwia: I hate reality, right? I don't go out into the real world.

    Dominik Santorski: But you've got to go out.

    Sylwia: What for?

    Dominik Santorski: To live.

    Sylwia: I don't want to live.

  • Sylwia: Everything you need is inside you. You don't need school. You don't need parents, your loved ones. You don't need anyone.