This film tries to trigger the "sorrowful memory" through the protagonist's "suffering", and through the false but real "horror" to elicit the protagonist's childhood memories of huge pain and guilt, and finally reveal the hidden memory for many years. The truth, such a not-so-new story. Numerous "horror" clips and "resentful spirits" are the routines of the film to attract the audience. When the lengthy and repeated "scare" gradually makes people "numb" and no longer excites, the story finally turns to a suspenseful trail. This seemingly "finishing" bridge segment finally made the whole story deviate from the "track" like a train in the film. If the protagonist in the first half has insomnia, awakened by nightmares, or pretended to be "psychic", behind all kinds of "heard" "surprise" and the psychological analysis of mystery, is the heavy guilt of childhood unintentional loss and unbearable guilt Feeling, this can be regarded as the past for the time being, then when I finally recalled the restoration of the culprit father, the logic was completely broken. The juvenile’s freedom of action at the scene of the murder witnessed, at best, was "surprised or dissatisfied," and the huge trauma that was announced in the future, obviously lacking persuasiveness. And "father's sin" is more acceptable than the "bicycle accident" like "self-criticism"? If this is the case, how many casualties did the torture come from train derailment? The death of that girl? Or is it silence about sin? The protagonist was no longer a child at the time, but a teenager with a certain ability to think, and the film did not involve it at all. And the result of "memory reversal" in the future is not only "self-deprivation" and torture, but also childhood partners who "suffer" together! From this perspective, is it an accidental and tragic result that makes the protagonist feel guilty and unbearable for "memory", or is it a "lie" for the silence of ignorance of conscience and the "lie" that he would not hesitate to pull his friends into the water, as his father said? ! The film did not go deeper and explored, but instead focused on "scare", which is really... "I don't know the severity". From the beginning, the film is full of "unjust souls" who jump out from time to time, encountering the "demon" poor girl, hapless passenger... But I personally think that the most innocent thing in the whole story is that the innocent gets involved and is perverted by the couple. The grievances between father and son have been tortured for many years, and the childhood friends who were abused to commit suicide were finally born. He has no direct connection with this incident, but just because he played with the male protagonist, he was deceived for so many years, his life was ruined by self-hatred, and he finally lost his life and had to "blame" himself. , People are stupid, narrow-minded. The other "unjust souls" seemed to "get what they wanted" in the end, but the screenwriter let the male protagonist who had deceived the poor child for so many years finally got "liberation". I have to say that the logic of foreigners can sometimes be "divine"! And the result of this kind of film is nothing more than the truth is finally revealed, and the wicked are punished. But in this film, the “culprit” is finally punished, whether it is the fog on the road, the intimidation of the girl’s soul, and the entanglement in the final car, it is obvious that the “contribution” of the soul is greater, and the protagonist and the policewoman have completely become "Weak chickens", if it weren't for "resent spirits" to report, not only would it be hard for them to be wronged, but I'm afraid these two would also have to become wronged souls. What is confusing is that since the "Resentful Spirit" is so powerful, even if it can't kill the bad guy in a second, it can scare an "old bad guy" to death. Why have to wait so many years and go around such a big circle to seek revenge" What about "kill the bad guys?" ! What is even more puzzling is that it is the father who did the bad thing, but the people who did not find the culprit, did not entrust their dreams to the police and relatives, but stared at the son to frighten him. Is this bullying the young man and asking the father to pay the debt? ! The male protagonist’s "spiritual physique" is also really speechless. So many people died when the train derailed, and they didn't happen when they were scared to death. After so many years, the daughter had an accident. How much was this "selfishness"? ! And all the "unjust souls" have to "kidnap" the ghost of their daughter before the male protagonist is willing to "repent" and "submit", which is also very depressing! Alas, it's not easy. These mystical and logically chaotic settings make the film's exploration of psychology and human nature greatly reduced, and as a result, human nature failed to surpass "spiritual" in the end. In fact, if we want to discuss psychology, then "spiritual" is just a hint of past experience projected and buried in the heart. As once said in a Hong Kong-made supernatural movie, seeing the dead relatives, not because of hate, but precisely because of love and concern, instantly turns terror into tenderness. This change is precisely the thoughts and feelings that control people’s emotions. Psychological hints. If it is to discuss human nature, the male protagonist sees his daughter because he misses it, then seeing the murdered girl and the train passengers is not just a evasion of sin, but a guilt of ignoring the facts and being silent and becoming an "accomplice" of the father. . And the final awakening should not only be to retrieve the "memory", but also to use human power to "correct" and defeat the evil. Whether it is about psychology or human nature, whether it is the grievances of the wronged souls or the right or wrong of memories, they are ultimately projected onto people in real life, in order to enlighten humanity. Although the film’s method of making the souls "self-reliant" and revenge may echo the beginning of "pretending to be a ghost", this kind of justice effect not only fails to enhance the depth of the film, but ultimately makes it scary and scary for the sake of scary. surface. And the male protagonist who evaded responsibility (even though he was innocent at the time, but at least the little partner was cheated to death by him), what can he explain, and what can be "comforted"? Is it that people are inferior to ghosts? This film is really suitable for the "multi-tasking" state, four-fifths of the film does not need to be watched, and the last 15-10 minutes is "relatively" attentively watched. This is definitely enough to understand. It can be seen how procrastinated the rhythm and narrative of the film, and the truth is revealed in no more than 15 minutes. If you are "in a hurry", just looking at the last 15 minutes is enough to guess. It can be regarded as a "good product" to pass the time! It's just violent that the male protagonist is a powerful actor who is good at using pale, weak and strong performance, the complicated design of the thriller set of psychological suspense, and the many designs of hideous "ghost faces"... It is really a failed attempt. This film is really suitable for the "multi-tasking" state, four-fifths of the film does not need to be watched, and the last 15-10 minutes is "relatively" attentively watched. This is definitely enough to understand. It can be seen how procrastinated the rhythm and narrative of the film, and the truth is revealed in no more than 15 minutes. If you are "in a hurry", just looking at the last 15 minutes is enough to guess. It can be regarded as a "good product" to pass the time! It's just violent that the male protagonist is a powerful actor who is good at using pale, weak and strong performance, the complicated design of the thriller set of psychological suspense, and the many designs of hideous "ghost faces"... It is really a failed attempt. This film is really suitable for the "multi-tasking" state, four-fifths of the film does not need to be watched, and the last 15-10 minutes is "relatively" attentively watched. This is definitely enough to understand. It can be seen how procrastinated the rhythm and narrative of the film, and the truth is revealed in no more than 15 minutes. If you are "in a hurry", just looking at the last 15 minutes is enough to guess. It can be regarded as a "good product" to pass the time! It's just violent that the male protagonist is a powerful actor who is good at using pale, weak and strong performance, the complicated design of the thriller set of psychological suspense, and the many designs of hideous "ghost faces"... It is really a failed attempt. This film is really suitable for the "multi-tasking" state, four-fifths of the film does not need to be watched, and the last 15-10 minutes is "relatively" attentively watched. This is definitely enough to understand. It can be seen how procrastinated the rhythm and narrative of the film, and the truth is revealed in no more than 15 minutes. If you are "in a hurry", just looking at the last 15 minutes is enough to guess. It can be regarded as a "good product" to pass the time! It's just violent that the male protagonist is a powerful actor who is good at using pale, weak and strong performance, the complicated design of the thriller set of psychological suspense, and the many designs of hideous "ghost faces"... It is really a failed attempt. This film is really suitable for the "multi-tasking" state, four-fifths of the film does not need to be watched, and the last 15-10 minutes is "relatively" attentively watched. This is definitely enough to understand. It can be seen how procrastinated the rhythm and narrative of the film, and the truth is revealed in no more than 15 minutes. If you are "in a hurry", just looking at the last 15 minutes is enough to guess. It can be regarded as a "good product" to pass the time! It's just that the hero, who is good at using pale, weak and strong performance, the complicated design of the thriller set of psychological suspense, and the many designs of hideous "ghost faces"... It is really a failed attempt.
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