But this movie "DEATH PROOF", I really like it.
Because it is too Quentin. Nothing, more enjoyable than the original flavor.
First of all, it should be said that "Death Evidence" is an extremely bad translation, not only misleading, but also irrelevant. If you really want a hard translation, it should be "Anti-Death". The name should be derived from the stunt car of stuntman Mike (which is played by the old and uncracked Kotrassel), but I think the name itself, like "PLANET TERROR", is specifically for the 70s and 80s. A tribute to the Mill Movies, as evidenced by the combination of them, "GRINDHOUSE". I think Quentin and Robert want to go back to that era and have a vote with Hai, the director of the B-level film at the time, right? But at that time these sensational and crudely produced movies were made for money, and these two masters were purely interested, so they could play this style so authentically. However, it has to be said that with the passage of time, The hunger and undecided food of the year has been washed away into a fashion-similarly, there is also the popularity of LOMO cameras, and sweet potato leaves have become mountain treasures on the table.
The movie itself is very commendable—especially a few long shots, which can be used as teaching materials for cameramen. The transition of the picture and the change of the center of gravity are closely matched.
As for those bloody and violent moments, it reminds me of the time when I was standing in the video hall in middle school. Those who kept stepping on the accelerator in the first half and repeating, the beautiful cheating in the second half reminded me of one A shot of a martial arts film produced in Hong Kong hitting the door of a certain Golden Bell Shield villain—two eggs were squeezed with one hand...
Forget it, this is a bit far away.
As for the flying leg of JUNGLE JULIA, the wheel running over BUTTERFLY's face, in my opinion, it is far less enjoyable than the rejuvenation of those ancient techniques, especially those rough picture editing, and background music, which look like old movies of the year. .
The plot of the movie is also original, simple and sturdy, crisp and neat, but unexpected. Here is a compliment to the old clapper, Curt, who made a villain live, especially in the second half. But half of it is the director's credit, and Y designed this character really well.
In fact, this movie is not completely compact. There are many large dialogues and long shots. These places seem to be loose, but they are definitely not perfunctory. You must know that in the movies of the year, such places are indispensable, that is. The essence of low cost. Those directors who broke a penny into two flowers back then can’t have a long list of crazy cars chasing like a nasty driver. I rely on, how much money would it cost? A few bloody and exciting scenes are used to mention. It's angry, short and sharp, and the rest will be made up for by that kind of indoor drama. The genius Quentin has not forgotten this, so these 90 minutes are all the essence, so so enjoyable.
Y also showed a small face in "DEATH PROOF", the bartender WARREN is, I recognized the look of the brows and rat eyes.
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