In fact, I've been looking forward to writing something about this movie for a while now. I adore it even more than [Rosetta].Although [Son] may be slightly inferior to [Rosetta] in terms of theme conception or extension.
[The son] is actually more acerbic, vicious, direct, and cruel in some ways.Darden's camera was staring straight at Olivier's face, so dense that his pores were about to pop out. In this way, you can't imagine what kind of effect it will have if the actor is replaced by Deniro or Pacino. Methodist performances lend themselves well to spotlighting and filming; in portable DV, it is the restoration of life.This man is truly a genius who turns performance into an invisible genius.
When I thought my memory was degraded to a terrifying level, I was very surprised to find that everything about [son], although it happened more than half a month ago, was still vividly beating in my mind. For example, the first time Olivier taught Francis to carry a large block of wood up a ladder, Francis almost fell. For example, Olivier's ex-wife rushed forward when she learned Francis' true identity but was hugged by Olivier. For example, in the warehouse, Oliver and Francis chased each other.For example, the last two people loaded the car calmly, but all the turbulence in their hearts was hidden behind the screen.
I've been following the Darden brothers since [Rosetta]. In contrast to Lars von Trier's gradual surfacing and the decline of DOGMA 95, these two still knew what they had to hold on to. Almost all of their films start with a small cut and then move on. No sermons, no pity, no superfluous comments, almost restoring life for everyone to see. Naturally, there are only two results. Either you think their movies are boring, or one of your nerves will always be accidentally touched. And movies like [Son] can actually be watched by everyone, and I believe most people will like them.
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