In "Arissky and the Turtle", Takeshi Kitano spent his entire life, throwing away his family and business to devote himself to art, but ultimately lost because he had no artistic talent, and became a painter, not a painter, for the rest of his life. The first part of the film depicts a juvenile pseudo-painting genius, but the last ten percent fails him. Some people say that thanks to the last ten percent, the dream of being a painter failed, but a great movie was made.
For "song of noise", it was given four stars and one star less because the last ten percent made it an Oscar and made most of the common people, but not the movie itself.
The people in the movie are divided into hierarchies very clearly. The six drummers represented by Bosen are music pursuers who ignore money, power, and even fine workmanship instruments, gorgeous performance halls and music industry recognition. On their artistic path, music comes from the truth, from the inner desire and the vitality that bursts out of peace. In Bosen's eyes, those so-called "music" are really "rubbish music".
Coincidentally, a group of up-and-coming musicians, represented by Oscar, his brother's parents, and the dean of the Conservatory of Music, also took the street performers, the restless teenagers who hid in the basement and strummed the guitar to death, and the grotesque figures who were playing the music. The music played by the performance artists who wear strange clothes and musical instruments, including the abnormal existence of artists such as Bosen, is called "rubbish music."
The two opposing sides have different means of fighting back. The Six drummers touch the city's bottom line in unexpected ways—the hospital's performance is a retrospective of the vitality of music, with the main rhythm formed by the thoracic, abdominal and hand beats; the bank's performance is music's mundane irony of money, The musical attitude of the six drummers is evident as the bank manager sees the scream of money being shredded by a shredder; the third chapter is even more ironic, and the musical form directly refers to the old-fashioned and vulgar representation of authentic music in the traditional sense. Under the direction of Oscar, the six drummers used the most rudimentary machinery to play deafening music; and the last chapter, the most amazing, was their sacrifice to music, risking their lives to give the people free from the pollution of light and electronic sound. The city offers a song.
Faced with six crazy artists, XX can only use force to retaliate. They caught all the underground artists in the city: those who really made music, those who played tickets, those who pretended to be... all kinds of people and so on, all kinds of musical instruments were available. Nearly 100 people crowded in the police hall, and various performances were heard one after another. And so the quasi farce leads to the movie's articulate character, Amadeus, the tone-deaf in a musical family.
Amadeus frantically smashed many musical instruments, smashing the music that had suppressed him for many years. For Amadeus, music has always been an annoying thing. Does Armadas like music? Of course I like it. Why don't you like it? Amades likes music without impurities. The current music is linked to family status, power and money, following trends, getting lost, noisy, and brand appeal, and has lost its proper musical essence. In a world of only "rubbish music", Amadeus chooses his favorite music - silent music.
In fact, the amount of information in the entire movie is very large, and the director wants to map a lot of points. For example, the music academies in the system can only mass-produce uncreative musicians; for example, the public loses their appreciation for music and blindly follows the trend and worships celebrities; for example, the struggle of musicians at the bottom, the rescue of music that is about to die; of course, also A hilarious love story unfolded. At the end of the film, a happy ending that is not a happy ending. Oscar, who has always been arrogant and arrogant, realized the true meaning of music; the group of noisy drummers made an agreement with the society.
This is the part I mentioned at the beginning, the ten percent failure. There is suspicion of dog tail continuing to mink. Originally, in such a movie full of restless factors (points to watch) and violent contradictions (to promote the development of the plot), there is no love, and the story is still full of points of interest. Even the story could have ended when Amades and Sana were separated on the roof. The director always wanted to give the audience an explanation. And this ending feels that even the director did not fully clarify it. What has the music become? Has trash music become real music, or what is called trash music has become real trash music?
The final ending makes the whole play feel like a dog's tail, and also makes the content you want to express be full of self-confidence, high-spirited, unrestrained restlessness, and a little helpless and overwhelmed that you don't know whether to cry or laugh.
Of course, I don't rule out my understanding of vulgarity. Maybe the director has a habit of teasing the audience like Haneke's "Fun Game" - do you think I'm talking about this? Actually, that's what I said. Well haha
Ps~ The last electric love is very ecstasy~~~~
Maybe four movements represent four kinds of music? Electronics, classical... I'm tone deaf, so I can't understand this.
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