The first point is three very rhythmic sounds like piling with big stones. Based on the memories of myself and my friends, they were after Qiaoqiao shot and when Qiaoqiao drove the motorcycle of the driver to avoid being raped. , and finally when Binbin left. I didn't think too much about why the director wanted to use such a voice and what to express with such a voice. But it vaguely felt like a sign of a change in Qiao Qiao's mood.
The second point is when Qiaoqiao pushed Binbin's wheelchair in the same place as the abandoned sports field (?) decades later, when Binbin asked Qiaoqiao why she took her in, and Qiaoqiao said it was because of "righteousness", Qiao Qiao lowered her eyes, her eyelashes trembling all the time.
The third point is a few conversations in response to the title. The first time I looked at Binbin who was leaning on crutches and said, "I'm not from the rivers and lakes." Binbin motioned her to pick up the gun, and she picked it up immediately. He said, "Now you are from the rivers and lakes." Later, Qiaoqiao was released from prison to find Binbin. In the old small hotel, Binbin said, "I am no longer from the rivers and lakes." And Qiaoqiao Said: "I'm from the rivers and lakes. I came so far to find you." Finally, Binbin asked Qiaoqiao why he took him in, and Qiaoqiao said: "Because of righteousness, righteousness is important in the arena. You are no longer from the rivers and lakes. You don't understand." During these three conversations, the exchange of positions between the two people and the deepening of the estrangement were really embarrassing.
Fourth, the English translation of the film: ash is purest white. It should be the volcanic ash that Qiaoqiao said. It's like Qiaoqiao himself, although he has done things like holding a gun, going to jail, and swindling and cheating, in fact, he has always been the simple Qiaoqiao who likes Binbin. But that kind of love has gradually changed over time.
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