I am very grateful to have such a director, who can unreservedly interpret the loyalty of women - that is a kind of, I could have chosen a comfortable and ordinary life, married a wife, and started from scratch as a proprietress in a canteen in Xinjiang. . But I refuse that kind of life and prefer to be embedded in the rivers and lakes with you.
"Every minute you said, I'll wait for three years." Qiaoqiao is looking forward to a marriage, and Brother Bin wants to break into the world. Qiao Qiao thought that you are my man, and I bear the penalty for you, it is my love for you. But five years later, Qiaoqiao, who walked out of the prison window, never waited for Brother Bin again. At the beginning of the century, the song and dance hall, the Three Gorges immigrants, the best performing troupe, the camera cut from Shanxi to the Three Gorges, I don't know if it is because I am familiar with the Yangtze River, this film makes me feel a sense of reality. In the rainy Three Gorges, the rivers and lakes have long been fragmented. The so-called people in the rivers and lakes have begun to legally operate the business, and Qiaoqiao is waiting for Brother Bin to tell her in person.
A woman's growth is probably from understanding that love is not the whole of life. Contemporary women always grow up too early. Five years ago, Qiaoqiao lived under the protection of brother Bin, "If you want to eat sauerkraut, go to Hohhot", the crown car whizzed by, but I didn't expect to be in prison for five years. There were no visits, no welcome after being released from prison, only the great changes at the beginning of the century were left behind. "It's not like this to go back." Brother Bin still forgot about Qiaoqiao. Qiaoqiao, who was helpless, took the cheated money and left. I thought it was the beginning of a new life on the train, but Qiaoqiao gave up halfway, got off the train halfway, and returned to Datong. Look at a woman, she can be so stupid that you give up the future, but is she really stupid, she just chooses to do it for you. Qiaoqiao is young and beautiful. Being with Brother Bin is not because of vanity and reliance, but is willing to be a little woman behind a big man. When she left Brother Bin, she was so clever at deceiving people. After returning to Datong, the mahjong parlor reopened. The old rivers and lakes were gone, but Qiaoqiao was able to bring the former circle together by herself. Her father died and the people arrived. She is not yet married in middle age, but her former brothers still respect her.
If you choose to come back, I will not ask more. Brother Bin, who had cerebral hemorrhage due to drinking, still went back to Qiaoqiao, he said, only you don't laugh at me. Qiao Qiao doesn't speak, does she still love? I think she doesn't love anymore. It's just that despite all the hard work over the years, there is still a word of righteousness, which is something men can't do. The section chief is right, women are often more righteous and more loyal to their beliefs than men.
But you can't say that this is the fault of men. We are in a patriarchal society. Tsinghua beauty and academic leaders have to rely on wine to achieve their careers. Is it an embellishment of willingness to be a dog? Of course not, most of the time it is men. It's just self-righteousness, a woman can catch your flirting means, maybe she has already seen everything and cooperated with you to perform. They think that women only understand the ordinary life and the husband and the child. In fact, they have never really understood life themselves, just like the world of Brother Bin who knows everything, but the coincidental world, Brother Bin doesn't understand. Why are they in such a male-dominated society, because most women are still emotional, they give up some desire for power and choose affection.
Jiang Wen's films are about the lives of "aristocrats", while those of section chiefs are about the lives of ordinary people. The scenes in the movie are all I have actually seen. Elementary school, I just started elementary school. After 2000, there were still minivans equipped with loudspeakers broadcasting along the streets of Shanghai, "At 8:30 tonight, there will be a large-scale singing and dancing performance, welcome to watch..." The vans were filled with "actors" who wore very little clothes. They", just like in the movie, shoddy, enriching the lives of the people at the bottom. Also after 2000, I was sitting in an uncle's car once, and I saw that there was indeed a very long knife on the co-pilot, which was also an era I had never experienced.
I often wonder what kind of director will make what kind of film to recall the past when our generation is getting old. Jiang Wen's youth is separated by sweat hormones and the domineering children of the courtyard, which is very close to art; the youth of the section chief is the rapid social change and Xiao Wu's confusion and anxiety. But our generation, our generation has not experienced the impact of the commodity era, because we grew up in the commodity era, we were taught to study hard, famous schools, graduate school, study abroad... We matured prematurely and didn't have time to be like a coincidence. By chance, we have grown up like this. We advocate equal rights for men and women, we care about housing prices, we believe too early that love is not everything, and we don’t even have the opportunity to be impulsive.
Love without love is a prisoner.
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