After watching domestic nonsensical comedies in recent years, such as "Break Up Master", "Oolong Courtyard", "Villain Angel", "Weather Forecast" and other movies, let's take a look at the gap between them and Stephen Chow in the acting skills of this "God of Cookery", the biggest one is The difference is still in the script. Let's talk about God Cook's script first. The most important thing in a good script is the turning point. The protagonist's turn from bad to good, the bad guy doesn't change, or even worse. And every scene in the script has a small turning point, not just to make nonsense funny, and the funny place is to pave the way for the next scene, not useless. When it's ridiculous, he says a lot of meaningful things. For example, Zhou Xingchi played the God of Cooking at the beginning. He was simply a person who couldn't cook, but he was a God of Cooking, and even scolded all the real chefs. Like many employees who live at the bottom of the company, they clearly feel that their boss can't do anything, but they scold themselves all day long as the most serious worker, and all their achievements are robbed by this boss who can't do anything. Walk. This is the movie, and the audience can feel from watching the movie that this is what they have experienced in their own life.
Look at the turning point of the protagonist Zhou Xingchi. First, he was a respected God of Cookery at the beginning, and then he was in ruins. He quickly made a comeback with the peeing cow ball. I thought he could return to the top again and get better. But the villain hasn't really come, and the protagonist hasn't been reduced to nothing. Zhou Xingchi is going to the mainland to learn cooking and win back the title of God of Cooking. Then he was chased and killed, and he rolled down the hillside without knowing whether to live or die, but he found a mainland chef and returned from his studies, and was bombed when he finally jumped off the wall. There are only two minutes left, and now there is nothing left, no time to do anything at all. After the night of the soul, he thought about what Sister Ji had done to him, and finally thought of what he should do, and he was ecstatic. Although it was delicious, he lost the game. In the end, an immortal appeared inexplicably and named him the God of Cookery, and Zhou Xingchi also understood what the God of Cooking was. The two bad guys also got their due punishment.
It's actually a comedy and it's a nonsense comedy, and the most important thing is to be funny. Every scene is surprisingly funny, and it's ridiculously funny. For example, in the scene of Zhou Xingchi playing cards with the 18 Bronze Man in the Shaolin Temple, there was a conflict between Zhou Xingchi and the 18 Bronze Man, and the emotional changes. Zhou Xingchi originally played cards with them happily, but he got angry and overturned the table, and was then beaten up by the 18 Bronze Man. meal. In the next scene, Zhou Xingchi used the folding stool used by the eighteen bronze figures to beat people to beat Tang Niu violently. Not only is it hilarious and hilarious, but it also connects to the previous scene.
I feel that this is what a nonsensical comedy should look like, but there is something funny about it, not to mention some stalks for the sake of being funny. It should be funny according to the development of the plot, and it should also highlight what you want to express. Don't send out a movie just for nonsense.
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