#ELECTRIC Phantom# The Korean version of "Mint" can smooth out how many complex flavors, accompanied by pure colors, originate from the beginning and stay in the end.

Jimmie 2022-12-22 06:30:47

#ELECTRIC Phantom# The Korean version of "Mint" can smooth out how many complex flavors, accompanied by pure colors, originate from the beginning and stay in the end.

There is always some resistance to the smell of mint, but the strong wiping feeling always comes out very cleanly. Once it starts to spread, it can always wash away many complex tones and bring out a cleanness. I don't like mints, but I love this "Mints".

It's too sad, the beginning is a very sad movie, and until the first half hour, my whole body is tense. The image of the actors and the plot of the performance make the story run towards an uncontrollable bad state, but perhaps the biggest redemption of this film is to take a flashback. Let the protagonist's life go back little by little from the final collapse to the initial purity and innocence. The whole film, which is cut into many pieces of memories, did not choose all the important nodes for interpretation. Sometimes it is indeed a very important moment in a person's life, and there are many more, it is a self-encounter in life , those moments cannot all be connected to a complete life story, but the important life fragments have been sent out one by one. In some moments that are about to turn, what we see is the change of eyes and expressions at that moment, and that moment also means With all things changing, but because it is a flashback, there is always a sense of buffering, which makes it not too painful. And every time, when the pain is about to be slapped along with the plot, the camera will change again. This time, the lens will let life steer towards a better past.

People are tired of living. Lucky people are slowly groping for a way of living in a world of hard work, trying to accommodate society and making a screw, while unfortunate people are the bad parts that lose everything in life in the social way, they will not affect Society works, but they are ruthlessly removed from its operations.

The film's unbridled use of political and historical perspectives, coupled with the constant beating of values ​​in the social process and the collapse of people's beliefs, and even the bad things in life that happened because of luck, all of them have become a push for a person to change from pure eyes. His eyes became decadent and turbid, and the disappearing years took away not only youth and physical strength, but also all the good things.

But the protagonist has said that life is beautiful. In fact, he believes that life is beautiful. When he didn't believe it, it was the past youthful years. In fact, he just had the best things in his life. At that time, as long as he was willing to choose, he could live back every moment. Chances are, he may still get the so-called good life, but at that time, he chose to doubt. When life was gradually lost and all misfortunes became necessities in life, he was holding a bad hand, but he seemed to meet a kind of expectation, and he began to believe that the good life that he once thought was unrealistic really existed. Yes, it's just that he never had the chance to get it, it's just that he once touched the beauty and let it go silently. "Throw it away," he said to himself.

The protagonist's face, how dejected and dejected in the previous film, how pure and gentle in the past days, if it is not restored bit by bit, I can't even believe that it is the same person eyes. We must believe in the cowardice and uncertainty in a person's human nature. In the promotion of reality, our strength is often used to protect ourselves, and those who can leave the last trace of conscience are considered walking justice. History is a kind of sword, the sword that stabs everyone, what kind of history people can live under is luck, what kind of body position is injured by what kind of sword is actually luck. The protagonist, in the Sword Forest, was a little bit seriously injured, but even when he died, he still left a mouthful of hope in his heart.

In all the depression and pain, there is only one paragraph, I cried so sadly. It was the protagonist who went to the mountains where his first love was, and slept silently with another girl all night. That night, they pretended that the girl was their first love, and the girl asked him, if she was her, what would he have to say when he saw her. And he, just over and over again, called out her name and shed tears. This scene is the only place in the whole movie where I cry, and cry a lot. I have watched a lot of romance films recently, and sometimes I wonder if everyone thinks that finding someone who has common hobbies, being able to be close to each other, and having the opportunity to pull their little hands and kiss, is the beginning and end of a life-and-death love affair. But most love starts so casually and ends so easily. You may turn around a street corner, and you are not even sure whether such love can make you unforgettable. I feel pain in that shot, that is deep love, great reluctance and burial, but love can no longer be continuous love. At that moment, I read a person's secret.

When the camera went back to the day we first met, sang songs, looked at the woman I loved, and then walked under the train tracks, looked up, burst into tears, I almost choked to death in that part. The expressions and performances of the actors are also amazing. Suddenly I wonder, if at a certain position in our life, we will see our end and split point, will we raise our heads to worship. As an excess of oneself, bitterly nostalgic.

By the way, I still want to say that in the last shot of the film, in the young age of sitting around and singing, there is a young man in green clothes on the left hand of the protagonist. This person is the very beginning of the film. A man who stood up and ran to the protagonist, then stood under the railroad tracks desperately calling for him to come down, and murmured with tears in his eyes, "what's the matter with you". Although it is a small person, although it seems unimportant, I actually want to say thank you to you. You are probably the only person who still retains that kindness, thinking about the preciousness of life, and thinking about helping old people. I just wanted to say thank you. In this world, there will always be one or two people who can still be kind.

Can't go on thinking about it, the movie is so sad. By the way, the protagonist who said so much, his name is Jin Yonghao. He wants to go back.

By the way, the sex that was filmed in the Korean movie in 1999 is really beautiful.

Author: Little Buddha

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Extended Reading

Peppermint Candy quotes

  • Yongho: Do you think life's beautiful?

  • Yongho: I don't want to die alone. I need one bastard to come with me. Just one bastard among all that ruined my life. But then... Who should I kill? It gives me hard time, you know. To pick just one is hard thing to do. The fucking stock broker who made me go clean broke? The vampire like loan shark that charged the ridiculous interest? Or... how about the business partner who run away with my money? Or should I take my ex-wife and my kid to die with me? There're so many fuckers in my life that it's hard to pick just one.