I think it's a cult movie. From the villain Yuan Lie to the protagonist Su Can to the screenwriter Du Zhilang, all of them go crazy. Once Yuan Heping re-directs, he is no longer controlled by others. He is like a wild horse. To vent his emotions, he returned to the line of fashion action scenes in the 1980s and 1990s, such as "Money Laundering" and "Direct Witness". The level of violence and blood is not suitable for children. This film produced unforgettable love and great sorrow, but at the same time, it also produced twisted and perverted family affection and murderous intentions, and finally became a very imperfect work due to the loss of control of the director. The opening shanzhai drama is very shocking, and the comings and goings of many characters such as Lord Baylor and Michelle Yeoh, including Guo Xiaodong are inexplicable. Later, the plot was divided into two, and the front and back were seriously out of touch. Suddenly, the personal grievances were elevated to national justice, which was far-fetched. As for the bridge section, it combines the types and modes of countless classic movies at home and abroad. For example, brothers turn against each other, which is like a copy of "Tai Chi Zhang Sanfeng", fantasy martial arts, borrowed from popular split personality movies, and sloppy, imitating Zhou Xingchi's version of " Wu Zhuangyuan Su Qi'er", the latter part of the fight, it is like Huo Yuanjia's upper body. There are too many scenes of deja vu, but unfortunately I didn't see a complete Su Qier.
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