The thinking is too similar, also when the male protagonist touches death, he appears in the mirror when he was a child, and my little red's phantom when he was in a big emotional crisis also appeared in the mirror.
The male protagonist calls his sister, and the focus shifts from the sister to the male protagonist. I like the arrangement of this scene. Enrich the largest amount of information in the most limited time and space, complete the hidden and present in a single shot, and complete a burden.
I like the ending and the beginning. The hero is lying on the beach, and the overlapping of the camera captures the traces of time. On a person who will die soon, the nostalgia of time, the cruelty of time, is intriguing.
The shortcomings of the summary are: the rendering of emotions is not to the extreme, this gap can not reach the beauty of sadness, and can not reach the last kind of camel carrying a thousand-dollar cargo, and one more straw can crush him. The ratio of despair to hope should be a little bigger.
Why does the male protagonist get an erection when he is shooting a passionate paragraph? Seeing the male protagonist, I feel that my love is still very hopeful, so I quickly find a good man.
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