The viewing version is the CC Blu-ray version. The starting time of the scene of "Return of Hani" is 1 hour, 32 minutes and 02 seconds, and the end time is 1 hour, 37 minutes and 39 seconds.
1. The incident leads: Before the scene of "Return of Hani", it was Xiao Si who met Xiao Ming in the infirmary. Because Xiao Si liked Xiao Ming, he deliberately stayed at the door of the infirmary and waited to talk to Xiao Ming. Then Xiao Ming explained the message that led to the next scene: Elvis asked me to go to the ice shop, something happened, but he didn't say what it was. After all, the matter of Hani's return can't be made too loud for the first time. The excuse of Xiao Si and his companion is: just right, there is something for Elvis and the plane.
2. Sweet atmosphere: The two went to the ice shop, Xiao Ming put on the record, and the sweet music was played. The mood of the space at the moment was defined by the mood of the music. The two sat opposite each other, and the front and back were evenly divided in terms of scene and angle, but the camera was allotted more time for Xiao Si in the editing, in order to express his "sweet date", which was so subtle, shy and panicked, which contrasted the Xiao Ming's waves were calm, not excited.
3. Haney's appearance: The event index is based on the action of the female clerk taking off the record. One is to change the sound shape of the space, and the other is to arouse the expectation of the event. The small park gang entered through the side door of the ice shop. The sharp-eyed Elvis Cat saw Xiao Si was present and rushed forward immediately. The space for Xiao Si and Xiao Ming's rendezvous was broken, and the nature of the space changed from a romantic ice shop to a private gang meeting. .
The crowd gathered around them. Elvis and the plane, who were closest to Xiao Si, stood on both sides of Xiao Si. Elvis looked out of the painting, and Xiao Ming followed him and looked out of the painting. Then immediately got up and walked out of the painting, and her departure also attracted Xiao Ming's attention outside the painting.
The interruption of the soundtrack, the transformation of the spatial nature, and the performance of the actors all worked together to push the director's next shot, the appearance of Haney.
Hani is standing in the depths of the scene, with a navy cap, navy jacket, black jacket, and black trousers, bowing his head and being silent. This kind of character shape completely fits the cool and handsome character of a gang boss, and also fits the "romantic" boyfriend who kills his girlfriend. Deep demeanor. Another point is that Hani's outfit can also reflect his ingenuity. When he was in exile in Tainan, he relied on this outfit to "block the bar", because there were many navies stationed in Tainan at that time.
4. Slicker vents his anger: Slicker has long been dissatisfied with Xiao Si. At an important moment like Hani’s return, Xiao Si and Xiao Ming will be discovered privately. Slick just took this opportunity to vent his anger. Xiaohu's trouble was actually a misunderstanding. The person who pushed Slicker away from Xiaoming was actually Xiaosi. The slicker said something mocking and teasing Xiao Si: "Gregory's ass." He asked his Taiwanese classmates for advice, referring to Gregory Pike, the male lead of "Roman Holiday".
The two stood in the center of the composition, mainly to make room for Xiao Ming's character scheduling. Xiao Ming wiped his tears and ran between the two, which quietly aggravated the contradiction between Slick and Xiao Si.
In terms of character scheduling in the space, Slicker has the upper hand, and the plane and Elvis that are close to Xiao Si are constantly disturbing the space of Slicker, but they are constantly excluded from the space.
5. Hani calls the shots: Hani said: "You have to eat this kind of rotten rice, it's too embarrassing." In the picture, this line is a response to the slippery head, and it is the dissatisfaction that the slippery head "replaced" him to teach the little four just now, It's telling him that I'm the boss. This entry into the painting also caused a change in viewpoint, only to discover that the fixed long shot before the entry was originally seen by Hani. It is also because of Haney's entry that guides the movement of the camera, which is the first camera movement in the passage. His dress is not only different from others, but also incompatible with the overall color scheme of the ice shop, which shows that Hani is unfamiliar with this space and he has been away for too long.
Hani led Xiao Si forward, the camera followed, isolating everyone else, and a private space for Hani and Xiao Si was formed inside the ice shop space. It's helping you manage things!" But Hani ignored it, which also showed that Hani was not a reckless man, with a clear head and a sense of proportions. After a few words with Xiao Si, he let Xiao Si go, calm, clear, and powerful, because there are more important things to deal with, the most important thing now is to settle the threat of the sly gang, Xiao Si's account. , it's not too late to count later.
6. Power struggle: Then, Hani walked back, and the camera followed. This is the first time the audience saw Hani's front face with a clearer view. Hani still showed contempt for the slicker in his tone, using Taiwan The slang word for "haha". The slick forces of the Little Park gang surround Haney and form a new mise-en-scene.
Hani is in obvious contrast with the crowd. In terms of color, there are many elements, and in terms of angle, there are pros and cons. Slicker revealed one meaning in his words: You have been gone for so long, and now I am the actual boss. And in one sentence, the gang disputes between Xiao Park and 217 were classified as personal grievances, and 217 supported Slippery, who was arrogant and arrogant. In the address, it is also commensurate with buddies, and the next sentence: Next time we want to hear what you mean. Will lead people to leave.
7. Arrangement plan: After the slicker left, the remaining little brothers in the small park were drawn. These three people can even be said to be the band gang in the small park, a lead singer, a drummer, and a guitarist, and the scene scheduling was updated again.
Haney began to announce his return and made the decision to go to the concert.
However, his younger brother Erjo has no interest in gangs. He looks forward to the stage and worries that his performance will be in vain. Hani understands his younger brother Erjo's careful thinking, knows his incompetence, and is aware of his own crisis. What he said in the second lesson was: "It's worthless." This sentence is what Xiao Si's father taught his children, and it was also what Xiao Si said when he finally stabbed Xiao Ming to death. Xiao Si's father and Hani successively became Xiao Si's idols. The existence of these two people in Xiao Si's heart disappeared one after another. In a certain sense, Xiao Si's father, Xiao Si, and Hani are the symbolic image of the three in one, and they are also the teenagers, youth and middle-aged that a boy experiences when he grows up.
Haney walked towards the depth of field again, limping and hurting his leg. In this scene, Haney's biggest audio-visual feature is that he dominates the movement of the camera, occupies the largest scene, and always occupies the center of the composition. This is Haney's ambition and aura, as well as his weakness and power vacuum. The camera took a subjective point of view of Hani standing in the doorway watching, Xiao Si did not leave, but turned to comfort the sad Xiao Ming. Director Yang Dechang hides and lags Haney's attitude towards Xiao Si and Xiao Ming in this scene. This is neither the focus of the drama, nor is it in line with Haney's character to intuitively handle Haney's attitude towards the two.
There was a thunderous sound, and the sound transitioned to the next scene.
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