In fact, compared to a French film, this film is more like a film about Middle Eastern Muslim culture. From the beginning, the dazzling array of shops, opium and lust, and oriental tones remind me of the phrase "Roman soldiers only come to the east. Only then will you become a real man.” And then to the puppet show in The Arabian Nights, the story of Solomon (Middle East paper-cut) told by the god of death is simply the epitome of Muslim culture. In addition, it is worthy of praise for its fantastic transitions. When reflecting on the life, career, family and responsibilities of the whole film, all of them think painfully with a cynical attitude. He wanted to die, but he was afraid of death. He wanted to be a musician, but he was bound by his family. He didn't want to be bound by family, but he listened to his mother's words, got married, and never blamed his mother. He didn't want to take responsibility but wanted to be a good father as much as possible, and entrusted it to his younger brother after his death. And his wife actually loves him, it can even be said that she loves him deeply, but she is paralyzed by life or she knows that he does not love her (when he plays the violin, she knows that he does not love her, and she is completely unbearable. , she collapsed completely) and some things only think when they are near death. And love is more like "Love in the Time of Cholera" except that Ariza is married, but dedicates the night's serenade to his first love when he was young, and Fermina is his encounter on the road. Fermina still kept him in her heart. And they would never set foot on that boat to cholera in their lifetimes.
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