It’s not too much to say that it was saved by the soundtrack. If it wasn’t for Kenji Kawai’s BGM, the quality of this movie would have to drop down again. I haven’t read the original book, but I make a wild guess: this should not be the seven depicted in Liang Yusheng’s original book. The story of the sword The sword has the saying of the king of weapons (anecdote), and the images of swordsmen depicted in martial arts works are mostly unrestrained, free, strong, and personable masters, accompanied by the story of chivalry and righteousness. This is obviously what most Chinese imagine. The image of the "sword" and "the story of the sword". Coincidentally, Li Mubai in Ang Lee's "Crouching Tiger, Hidden Dragon" is such a perfect image, and "Crouching Tiger, Hidden Dragon" is also such a story. Then Zhuyu Before, what about "Seven Swords"? Only Yang Yuncong's image fits such a swordsman image. The audience is naturally disappointed. Of course, after all, there are seven swords, and each of them is different. There are seven Li Mubai. The seven characters of the film also have their own characteristics.
In addition, the story told in this film, I don't know if it is because of the group portrait. It seems that it is finished but it feels incomplete. It seems to be such a river and lake but it is very strange.
Such a comparison brings disappointment.
Advantages: 1. The soundtrack is really impressive. Tsui Hark should kowtow to Kenji Kawai
2. There are so many shots in the picture. I believe it captures the image of the rivers and lakes in the hearts of Chinese people, the world of martial arts in their hearts, and the heroic swordsman in their hearts.
3. The design of the seven swords is very creative, especially the Tianpu sword, which can be called ingenious. In addition, the martial arts instructor is also worthy of praise. Many movements make me feel very creative, especially the duel clips of Yang Yuncong, Chu Zhaonan and Feng Huo Liancheng, the duel scenes, and the design of the tricks, which give me a feeling of breaking through the tradition.
4. Acting skills, I think the acting skills of the actors are okay, especially Zhang Jingchu, who played a weak woman well, but the role is too stupid, blame the director and screenwriter not her
shortcoming:
1. Characters, I think the image is too thin.
The master doesn't say it, it's just an NPC.
So what about the seven swords as the protagonist? It seems that before the decisive battle, the director arranged a few words for everyone, but for Xin Longzi and who else, that is, Sun Moon Sword and Jing Xing Sword, (yes, I don't remember their names until now), the original scene Just a little, does the director want to stand up the image in two sentences?
Then the more important Fu Qingzhu, he is also an NPC with a little background, and he did not explain his motives for abandoning the dark and turning to the light.
The NPC Luzhu, who also has a lot of scenes, is really a useless character. In addition to adding blockage to Qijian and Wuzhuang, tell us a truth: Heroes are sad for Beauty Pass
The more important boss. In the first half, I thought that Chu Zhaonan was a boss with pursuit, freedom, and courage (who found the traitor's corncloth), but Chu Zhaonan created a man I want to beat ten times, and was carried away by love. The reckless husband... also threw swords to save his wife... Li Mubai would not throw swords everywhere... Although you are not throwing swords... And the second child, who was a handsome group of scholar swordsmen in the beginning, but he had too many distractions and followed his master. Asked to go down the mountain and work strangely, but what about your revenge for killing your father? When did you relax? ? ? Pat and forgot? ? ?
Take a look at the most central Wuzhuang trio, Han Zhibang, Wu Yuanying, you two took swords, when did you learn? You are telling the story of the sword. How can you practice swordsmanship and learn swordsmanship without patting two wastes to become a hero? Han Zhibang starts with "Yu Fang Yufang", ends with "Yu Fang Yufang", and the whole movie is "Yu Fang Yufang". The moment the whole image shines is to let the horse go, but the horse is still screaming there, I still think Say "Okay, the boy has grown up", and you yell, and I think the image is short again. Wu Yuanying, she doesn't know how to use swords, but she knew she had to fight, and finally she knew that she had to follow her to the capital. I think the growth of this character can be seen, but Han Zhibang is just "Yu Fang Yu Fang" and blinded your sword. .
Liu Yufang, from the beginning, set the image of "don't like fighting and killing", I knew it was a drag-and-drop bottle, but the plot needed it. This role, who has taken on so many roles, except that he has a deep sense of righteousness at the end, it is the brain-dead waste that killed Quanwuzhuang...
There is also a storm. I can understand that he sometimes needs to be a little crazy as a villain, but I didn't understand the story line of the green beads.
All things considered, only Yang Yuncong, Wu Yuanying, Fenghuo Liancheng, Chu Zhaonan, and others are like NPCs who have a relatively high degree of image completion in this film.
2. Plot
Han Zhibang and Wu Yuanying, when did you two learn the sword? Why aren't these taken? This is the story of the sword
The second time you Qijian went to Tianmentun, you can kill through the wind and fire, and you have one less sword, that is, Liujian. What did you shoot before? Are you farting? Seven people can kill all the people who are in a hurry, why do you spend so much time running?
Liu Yufang, you know he is a traitor. If you don't run away, I know that the director won't let you run away. The word traitor is spoken in the same Korean language, so that everyone can't understand it. (Did you learn it from Luzhu?) Climbing like a drug addict, exhausting everyone, really a waste, and the daughter of the boss... (tell us what happens if you don't learn martial arts)
A traitor can kill people in Quanwu Village, what are you doing as a traitor for so long? You can kill them all in one night to receive the reward, right?
A person who killed Quanwu Village was smashed by a child twice with a stone?
Yu Fang just because of you, ah, ah, can't speak, kill everyone, and you still have the face to say "we are strong without you"? ? ?
I'm really angry when I see this! ! !
I also found that in this Wuzhuang, except for the child, Wu Yuanying, Liu Yufang, there seems to be no other women...
This movie didn't tell the story of swords or rivers and lakes at all, but forced everyone to use swords to string together, telling a nondescript story like I don't know how to summarize it now
I'm so angry, I'm really angry for Kenji Kawai, I don't want to write anymore, that's it
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