If Guo Jing in Jin Yong's writings is the "big man of chivalry" in ancient times, then Tsui Hark's Huang Feihong is the super man of chivalry in modern times. Possessing profound martial arts, benevolent and benevolent, at the same time open-minded and willing to communicate with the West. What is even more commendable is that in the process, the confidence of Chinese culture has never been lost. The most important point is that Tsui Hark did not make face when portraying the image of the hero, he also has the shortcomings of being a flesh and blood person.
At the same time, Huang Feihong was placed in the changing situation of the late Qing Dynasty, which made him puzzled and troubled, and let him see Sun Wen and Lu Haodong. This makes this film have a deep and broad connotation that ordinary martial arts films do not have.
At the same time, the "Men Be Self-improvement" in the film is ambitious and is really a classic track.
View more about Once Upon a Time in China II reviews
