In fact, frankly speaking, although this autobiographical film is based on "toast", the two main lines are not particularly clear. They are related to food and growth, and they are intertwined, but they do not perform well on either one. Nigel's chef complex and his biological mother's Not good at cooking and stepmother's superb cooking skills have subtle influences, and after the lack of mother's love, the desire for father's love is not good at expressing the complex of rivalry with stepmother through the method of food seems to make people understand why he is interested in the chef's career of persistence. But this is also the running account of growth. Just remember the big things. When you are alive, you don't know which main line you will live for in the future.
It's just that the movie has always been rendered very well, but when it should be expressed, it seems that there is some fog that is not expressed.
But for things growing up, it seems that the departure of one person makes Nigel bound, and the departure of two sets him free. He originally wanted to improve his mother's cooking skills, and her mother died; then he competed with his stepmother for his father's love by cooking, and his father died; he went to the restaurant, ok, there were so many customers, he didn't have to do it for anyone, He can do it for what he likes to enjoy.
To grab a man is to grab a man's stomach. From this perspective, it is the same to grab a woman. To grab a loved one is to grab his stomach, regardless of gender. It's not just the stomach, let him find out why he can't live without you.
Finally, Mrs. Zheng is very rebellious, but Mrs. Zheng who has grown up is very delicious.
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