I like Camille. She is a person with the "half sea, half fire" trait. When facing love and being irresistible, she is brave, direct and even crazy, and when love is rejected, she can face herself, calm and sober, independent and self-improving.
She contends between rationality and irrationality, saves herself, and preserves herself. I love her look, it says everything.
I like everything real, maybe that's why I like French films.
The French romanticism of love has its own unique understanding and interpretation. It does not rely on poetic lines and soundtracks, nor does it rely on creating conflicts and coincidences. Naturally, it is not artificial, giving love absolutely free space.
This is a tragedy of love, free from all the additional factors of family, rights, morals, etc., and only love itself. Movies about love are often easily made to be sensational. Only by constantly adding material to love can we touch the taste of love, thereby creating an illusion that I am in love and that I can love, which just exposes the incompetence of love. The film stands in an objective and fair perspective, reflects the characters' characteristics truthfully, and faces the depths of the heart. One end and one end at the same time reflect the irresistible approach and end of love.
In fact, we don't need love that much. In the vast sea of people, we only need one kind.
The worst prison would be a closed heart.
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