This is the point of view of the sea of spy - a love triangle between two groups of mutual restraints and entanglements that happened in the context of the big era. Several protagonists have different responsibilities and missions. One group of Tanaka died, and only Tanaka-kun, who was hanging on the trophy, was left to reminisce about life and death in the cup; the group of Brother Fa, who died, the two who survived. They also parted ways due to inconsistent career pursuits. It is difficult for lovers to get married, this is the brand of love in that era.
The film puts either great or selfish love on the arena of human nature. It does not use political interests as a bargaining chip to choose life and death, but uses a more human judgment. People are the first, followed by the nation, The country, the national interest, this is the progress of the film's ideological conception, breaking a so-called boundary.
The purpose of domestic films is to develop, from national, Chinese, to human and world, and expect to have new improvements, which should be the pursuit of life spirit or divinity. Avatar has left a mark among Chinese audiences. The good impression also comes from the Chinese audience's pursuit and expectation of this kind of content, although Avatar has not done enough. People need real peace, and it is difficult to obtain satisfaction from real life, so people need religion or fairy tales.
Of course, the so-called propaganda caliber and the public tastes that have been deeply grasped or manipulated can also be seen from another level. A peaceful and prosperous age can also be used to decorate peace. It is fine as long as it is peaceful. Prosperity and false prosperity will always be distinguished by only a few people, and most of those few people can’t actually do anything (of course, it may also subvert the times). Politics, art and life are actually never contradictory. You can kill people without being bloody.
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