If you want to see the oriental style in the eyes of foreigners, you can still try it.
I always watch DVDs at home, and I am not used to the appearance of huge portraits in front of my eyes, so that when the actor's huge face appears, the wrinkles at the corners of Fa Ge's eyes, and Gong Li's slightly sagging face are the first to attract my attention. The beginning is very grand, I thought it would be a good story, but it gets more and more chaotic as it goes on. I don’t know why the rhythm is uncomfortable. Several lines are laid out, but later there is no text. For example, the German wife found out that Cusack was here to collect information, and simply disappeared. It is estimated that the screenwriter had no idea what to do next; for example, Cusack’s boss always made people feel that there was still an inside story; for example, he didn’t explain the Japanese woman at the end. Where is the person from. Anticlimactic, the audience around me started to play when I acted, those who played with their mobile phones played with their mobile phones, those who ate food and those who talked and talked. Look at you too.
Although the actors are all talented, Gong Li is actually very beautiful. The one with a green cheongsam and heavy makeup looks the most unsuccessful, and some of the other looks are amazing. She's unique, a strangely wild hybrid of sensuality and innocence. The dubbing is too rubbish. Gong Li is like a 20-year-old girl. It is estimated that the English version should look more comfortable. Fa-ge is still the same, the energy of Fa-ge's strength is just not available to others, that is, there are too few scenes.
The atmosphere of this film is okay, the presentation of the market is very detailed, and the colors are beautiful. Maybe this is the old Shanghai in the eyes of the Americans. The props and costume art is actually pretty good.
The writing and the messy, unsuspenseful editing ruined the film.
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