not that person

Elmo 2022-10-14 05:40:57

Korean suspense movies have reached unattainable peaks, in my opinion.
The feeling this brings me is far less than that of "Memoirs of Murder" and "Horror Live", but it can represent the type of Korean suspense movies - that person is not a murderer...

Korean suspense movies are well made because Its fog setting is good enough. The murderer played by Park Shi Hoo in front of this film can be said to be extremely vile, and even Park Shi Hoo's handsome face can't offset the feeling that I hate him. He used his murderous deeds as a publicity stunt, turned his unforgivable viciousness into a tool for making money, and even his provocation to the squad leader and the sneer when he knelt at the doctor's house to ask for his forgiveness, his show again and again, make me believe He really was the killer, and it didn't dawn on me until the real killer came along - that's how it was, what I thought was the truth turned out to be such an idiot, and that's how this movie made me feel.
I think my IQ is still good. I can occasionally guess who the murderer is when I watch Conan Doyle or Keigo Higashino, but in Korean suspense movies, this ability seems to have lost its function. With a spirit of entertainment, I don't want to go into it. But the ending of the Korean suspense movie actually has the suspicion of fooling the audience from the very beginning. They know that moviegoers don't want to think about it, but prefer to drink Coke and eat popcorn to watch the ups and downs of the plot, indeed, now The film world is full of commercials, and no one wants to speculate from the clues. If you look deeper, the murderer who published the book did not mention the tenth person who disappeared, and the squad leader said that the tenth person was definitely killed by the murderer. Think about it this way, the murder of the murderer played by Park Shihoo Behaviour doesn't hold at all. It is against such a background that Korean suspense films have become a new force, and everyone around them is full of praise for Korean films, but Korean directors understand the audience and even the society.

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