But as for the film itself, although the first half of the film is a good depiction of the hazy feeling of the ambiguous period, the second half of the film goes from breaking up to kissing the old-fashioned Sanqi Kai bridegroom after the banquet. . . (The author admits that the ability to accept is a little worse, and I watch less Taiwanese dramas) I have swept away the feeling that I finally brewed up before, although most of the classic lines appear in the second half.
It seems that the author is a little too old to watch this kind of youthful, fresh and aggravated taste at such a large age. Poof, "Daisy" is still my appetite.
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