The history of gangs in Hong Kong originated from the Hongmen who fought against the Qing Dynasty and restored the Ming Dynasty. A big D from Wanchai, and Ale from Jordan, after the uncle's "democracy" raised his hands to vote for Ale, the big D did everything possible to prevent the handover of the leading authority, and the story of the underworld began. There are no so-called good people, there are only interests and competition for interests. A large number of people who are good actors in Hong Kong have gathered, and the acting skills shown by each actor give the role three points. Ah Le's calmness (gloomy Shen) and his decision to kill with a knife in his smile; Da D's ferocity and arrogance; don't order the righteous Gai Yuntian's plane; Dongguan Zai, who is arrogant but calm and composed; the letter; And the portrayal of the characters, in addition to the interpretation of the actors, the camera is more dominant. To Qifeng's films use a narrative that seems dramatic and straight-forward, and uses "doubles" to slow down, slow down, and accurately output each plot. No matter the language or actions, they are all charming, so watching To Qifeng's films is very enjoyable. For example, "ruthless and savage pig cage", "intricately snatch the leading stick", "Ale Che Da D talks about the number of cars in Tsim Sha Tsui", and even the last "killing and decisively throwing stones at people", every plot can be Calling "I'm Wave". The years of the Dragon City, the first part of the underworld, can be seen vaguely of To Qifeng's concept and ambition to make the Hong Kong version of "The Godfather". So the second part of the harmony is also the first part of the foreshadowing. When Zhan Mizai visited Brother Longgen in the hospital, Brother Longgen said something to him: "If you want to get along, you must be the person who is the biggest and most talkative, otherwise, leave quickly." Plot: 8.3 Lens: 8.7 Music: 7.6
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