is actually a metaphor. Like bullets.
Jiang Wenyan's Zhang Muzhi is basically a result-oriented person in the analysis of corporate personality. Compared with the process, the final direction of his judgment is actually the result. In the continuous calculation, he deduces everything to the result he wants. As for everything in between, what he believes more is to rely on constant adjustment to achieve his ultimate goal. Go straight to the bunker with a gun. That is process-oriented personality. It's not that he didn't think about it, he thought about it many times, it was HIGH, but he couldn't kill Huang Shilang, so he gave up countless times. Four people against four hundred people, the hope of success has risen from 30% to 70%. Rather than letting the people be cannon fodder, it is better to say that he optimizes the available resources to the extreme and finally accomplishes his goal. And the final success lies in the knife of the substitute.
That knife made me so sad.
That means Jiang Wenming is behind the camera pointing his nose and telling everyone watching the movie that no matter how many years have passed, the Chinese are always assholes. This group of people never had the ability to pick up a gun and defend their homeland. What you can do is to beat that broken drum after everything is over, and then put 10,000 feet on the fallen reactionaries. One by one, the faces are blurred, only the poor are left.
Let the bullet fly for a while, the line appears twice. The first time was to rob Ma Magistrate's carriage, and the second time was to beat Huang Shilang's carriage. They are all so confident, so they all just shoot, regardless of reloading. Only that knife was actually filled with bullets. In the big game, Zhang Muzhi didn't really kill anyone, and even Huang Shilang gave him a gun in the end to make himself violent. If it wasn't for the final situation, maybe he wouldn't kill the substitute in the end. In his bones, Zhang Muzhi really doesn't look like a bandit. After I came out of the cinema, I told my classmate Wang Juhua that this was a bandit movie. In fact, it was a localized gangster movie, with morality and kindness. Only one Hu Wan was killed, and the corpse was used to the best of his ability.
It's just that Zhang Muzhi didn't end well. very bad.
Li Shutong's "Farewell" is played at the beginning and end of the story. When I left the theater and looked at the dark night sky, I felt really miserable. In fact, no one really wanted to avenge Xiao Liuzi, and a few people wanted to make money and left. Only he chose to go back, whether you say Jiang Wen is narcissistic, or you say Zhang Muzhi is awesome. Anyway, when he went back, he went back with vigor and vigor, especially the man who stood up to take the money, and stood up to his heart. Ma Magistrate's sentence of murder and punishment was a prophecy in the last sentence.
Ma Bond
is a liar.
Not bad, but not bad either. He has all the good and evil that a normal person can have. Basically every time he wants to muddy the water I like him a little more. In fact, he never thought of doing Huang Shilang from the beginning to the end. There are elements of fear, but more of it is a kind of smoothness and accidents that don't want to cause trouble. Everyone has this kind of psychology, especially normal psychology. But the key is that in many places, you can see that he actually understands that Zhang Muzhi didn't want to kill him, and wanted to give him something nice. So he has him in his heart, which sounds ambiguous and a bit rotten, but that's actually the case.
He knew who he was, so he chose hesitantly and cowardly, and if he didn't make a mistake, it was basically okay. It's just that people die for money and birds die for food, and in the end they die so miserably and get what they want. When he knew that his wife and children were dead, his sad expression came out, and the character actually stood still. You can pity him, you can scold him, but you can't hate him or hate him.
Just like the last few brothers chose to leave. There is no one who does not yearn for a free and happy life. Everyone is willing to sell something for this, a few brothers are selling love, he is selling his reputation, that's all. But what can you blame him for? From the very beginning he was a liar, human beings and dogs being dogs. Natural selection is his way of life.
Huang Shilang didn't want to say today that among the three best actors, Chow Yun-fat's performance was the least breakthrough, he just suppressed the scene.
In another
scene, Huang Shilang asked his subordinates to disguise themselves as gangsters and raped a family of people who had received money. After returning, Zhang Muzhi silently looked at his brothers under his hands. The brothers' scenes of finding steps for him were very good, and they made a few edges with images at once. For example, GAY, a virgin, or something ruthless. Anyway, at least looking at it, it's no better than the few people who nicknamed themselves in "Western Wind".
It is said that the soundtrack
was made by Hisaishi Joo and used a lot of things from the previous "The Sun Also Rises", but the tune is in place, much like watching Li Mi before. That kind of feeling is obviously not what a drama film should come out with, but there is clearly a kind of splendid leisurely stroll in it, which directly adds a lot of color to the film.
When Jiang Wu
met a brother like Jiang Wen, Brother Wu was really miserable. Played a dog directly in other people's movies. The scene of kicking someone as soon as he appeared on the field was actually pretty good, a bit like a ghost in Huang Feihong. But later, a straight man who "played No. 1" was turned into a "cowardly No. 1". Without dignity, even if you stand in the right team, you can't feel sympathy.
Well, to give a counter-example, it is probably Huang Shilang of Fage. Bad guy, defeated decently.
Lines
Bullet's lines, if nothing else, will far exceed the sum of all the classic lines of the year combined. There are a lot of spit points, and those who sell rot and sell cute occasionally make you suspect that this is from Jiang Wen's handwriting? Too unliterary, too elegant and popular, right? No wonder many film critics praised this time, saying that Jiang Wen's dynasty had arrived. Well, there are still a lot of awesome advertising words, swear words, and cleverness in the middle. Enough to crush most of the movies I've seen this year.
The character of Zhou Yun
is basically not developed. In fact, I have reason to believe that something happened between the third child and Sister Hua in those three days. It's just that it may have been cut later, or Jiang Wen didn't even mention it. In short, in front of this man, it seems that many things are not so important.
I have to say that Jiang Wen and Uncle Ge were so happy when they cried to their wife... I really like watching these two act
, one is full of hormones, the other is full of fireworks, sad and happy. It's so beautiful, it's so beautiful.
BUG1: Since the second child is GAY, why did you go to the kiln with the third child? Could it be that he is a twin? The taste is too heavy...
BUG2: Zhang Muzhi didn't turn his head until he heard the gunshot, how did the watchtower explode?
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