At the beginning, Captain Yama first met, and the captain's expression was indescribably subtle. Maybe the captain saw his own shadow on Yama. Afterwards, my conjecture was verified, and the logic of these two people was equally chaotic... One of them blew up the botanical garden and killed his sister-in-law and maimed his brother, and the other saw that the unit was assigned to the leader to destroy the earth and become a pirate...
Okay, We can also comfort ourselves as the original.
After that, my brother Isora appeared, and then my brother became more and more adorable, more and more adorable, more and more adorable... In the end... he died.
Having said that, I want to talk about the relationship between the characters. The captain is undoubtedly a single arrow yama, yama can't tell whether he is guilty or love to his sister-in-law Nami. Isora and Nami are regrettable awkward couples. On the contrary, the prospective female protagonist Kei has no emotional drama with anyone, and the alien girl miime vomits. Took a bento...hmm. Is this the inevitable trend of the so-called double male lead drama?
(Speaking of which, the name of the love triangle trio is very distinctive, sea, land, and air? Hmm.)
When chatting with miime, the captain revealed that he was waiting for a miracle, and yama was the miracle. Contacting the captain to save him desperately, maybe he saw the possibility of changing his fate in Yama who sacrificed himself to save Kei. Well, if he didn't fall in love with him.
After that, Yama really began to become decisive. He started the journey of reversing water, reversing water, and reversing water like Suzaku. Why does he always use this counterproductive way to show the growth of the protagonist... As the truth is gradually revealed , The battle has also begun to heat up, there is nothing new in the battle process, just let the boys watch happily. Anyway, in the end the captain gave up bombing the earth, and the two finally reconciled, and the story went to HE. (I saw a few drops of aunt's blood dripping from the captain's cloak and thought I was going to set up a flag, but it was okay.) It's not a bit cliché, just when we thought of this way and automatically gave this film a sloppy three-pointer, the script Finally played a highlight, the captain gave yama a blindfold, which looked the same as his own (a token of love?!), coupled with the scar that yama was beaten by his brother, this is the second generation of eyes! The film ends when the two become shadows of each other, deter humans with reset props, and become the legendary gods. This magical stroke alone is worth five points in my mind.
(Although it is for the basic feelings, it is not so small that it needs to be supplemented by the brain...)
What is said in this film is actually very simple: the
so-called meaning of freedom is the inexhaustible pursuit of the two protagonists, they They all want to get rid of the mistakes made by the brain twitch in the past, and move forward according to their own will. Making up for the past and rebelling against fate is the theme of this film. It may not be very clear, but we can roughly understand it. In order to get rid of the shackles brought to us by the past, we can only work hard to move forward to the future.
Hallock, good luck.
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