Two points in the show are quite special. First, Master Xing did not realize that the same pattern was repeated in several important works; Second, the last paragraph of the film "I fell in love with you at first sight... 10,000 years", Chai Jing asked why he repeated it Using this sentence, Master Xing said there was a "complex", and after Chai Jing accurately expressed his understanding, he said thank you twice.
It's hard to find a friend, and it's even harder to know oneself.
"Journey to the West" is good, and "Journey to the West" is one of my favorite movies. They have a common pattern: the girl I love the most, the male protagonist has been avoiding, until she proves love with life and death, the male protagonist is sad. .
In the real life script, Master Xing became a god, and he was just as lonely. In the last scene of "Journey to the West", two time and space are intertwined. The sunset warrior and Zixia kiss on the wall, and Wukong can only watch under the wall. Is it the same taste if the star is old and lonely.
For Duan, Zixia and Liu Piaopiao, who are as beautiful and powerful as their mother, Master Xing loves and hates them. Love can last for ten thousand years, but despair is deeper than hate. I can't really believe the existence of mother's deep love. In the end, I can't believe that love exists. Unless you give absolute proof of love like Changjiang No.7, or Zixia or Duan, you would rather be alone.
The absolute proof of love is the most extreme performance in the Changjiang No.7, that is, no matter how I abuse you, attack you, abandon you, insult you, hate you, wrong you... You will love me as always. In other words, I will show all the ugliness in my human nature to you, and my love for me will not waver.
In movies and myths, this can be done. In reality, very few people can do it. The point is not that no one can bear the pain of torture, but that when your torture occurs, I will doubt your love for me, and you no longer love me, why am I still by your side?
You can treat me as you like, I will do everything for you, and I will give you everything. This feeling is our common dream.
Moreover, all the so-called ugliness is actually just a feeling. In "Matsuko's Disgusted Life", the novelist Yamegawa left his last words before committing suicide, saying "I'm sorry to be born as a human being". In reality, someone said in this last word that it was the Japanese novelist Osamu Dazai. The reason for such a strong denial of life is simple-the existence of life that is not illuminated by love is itself ashamed. Because of this shame, I feel that everything I exist is ugly. But once the light of love gradually shines in, everything that exists is glory.
Although Stephen Chow's movie is a comedy, although the male protagonist can also make life, but the male protagonist is rarely ugly and vulgar. The clowns are all supporting actors. This is a projection of Master Xing. Anyone who has watched his movie into the play will feel that kind of struggle of a small person.
But in reality, there is often no ridicule. It's not that you don't have any weight at all so others have no time to laugh at you, but it may be that there is really no laugh at it. Ridicule, ugliness and vulgarity are a kind of feeling within oneself, not an external reality. In other words, the external world is often not as cruel as the internal world.
Master Xing is in control of every part of his film. From this, it can be said that Master Xing's classic movies are projections from his heart to the outside. Those clowns are, and so are the contradictions. Moreover, the contra angle is more critical.
In "A Westward Journey", the Bull Devil and Wukong are brothers, and the Bull Devil kills Zixia by mistake. In "Journey to the West, Conquering the Devil", it was Monkey King who broke the girl Duan into pieces. After this kind of plot occurs, Monkey King and Tang Seng can become gods, and they will have the soaring power to restrain the bull demon king and the monkey demon.
Children who have not received enough motherly love have both "ten thousand years" of love and resentment. If there is very little love, resentment can soar to the sky. Love and hate first split in the heart, and in the film, they split into the Bull Demon King and Monkey King, Monkey King and Tang Seng. Especially in "Journey to the West", after the Bull Demon becomes a murderer, Supreme Treasure can transfer the hatred to the Bull Demon, and love can be fully focused on Zixia. Like Zixia and Qingxia, they must be separated to exist.
One of the morals is that only when hate is expressed can love be born.
At least, when hate is seen, love can only come out.
Compared with "Journey to the West", "Journey to the West: Conquering Demons" has a conceptual improvement. The magical nature of the former is greed, while the magical nature of the latter is as the Polish director Kieslowski put it, "Hate is love but cannot".
The "Three Hundred Children's Songs" in the hands of Chen Xuanzang is meaningful, but it is to be held in the hands of mothers. At that time, love can flow directly into children's hearts.
It will be much harder to flow love into a desperate heart in the future. However, absolutely not. It is only possible to get absolute proofs like Changjiang No.7, Zixia and Duan Girl.
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[Supplement: Life Script]
Writers and novels, directors and films, actors and characters... They are each other's shadow of each other's destiny. Especially the masterpiece or the most touching role. For example, Zhou Xun first watched a TV series between her and Chen Xiaodong and others. He was still very young and had a sad love. The bitter love and the sorrow in "Painted Skin" together constitute her true destiny. I just read a book today to find out that my feelings are called "scripts" by psychologist Eric Byrne.
The script is the basic of your life script. Sometimes, the scripts may seem different, but they are actually causal or complementary to each other. Therefore, the inside and outside of the play of directors, actors and writers echo each other. Sometimes, the inside of the play is a portrayal of life, and sometimes, the inside of the play is a metaphor of life. When doing consultation, sometimes you will be shocked by scrutinizing the inner script of the visitor. In these scripts, happiness and happiness are rarely the themes, but revenge is.
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