Not to mention how much Ms. Mai has gotten the true biography of the guide, it is not new to intertwined this classic royal love story with the life of the real hero. But the strange thing is weird, Mai's temperament, tone, and shadow can still be seen in this movie.
Using a female perspective to confess the most famous story of the last century asking beauties to leave the world, with her entangled and delicate mood echoing her past, the future, and the happiness that was finally suppressed by reality. In the narration, there is a flash of thinking about the true meaning of women's life, and the pursuit of mastery of fate, which provokes feminism to turn around again and again. These are often the psychological trends that female directors are most proud of.
A good story is always true. Sister Mai showed her style as always, putting her name before the screenwriter. But being able to seize a story that can arouse the ridicule and chewing of today's world can also be regarded as an opportunity to lay the market's box office. And the photography style that pops up from time to time, like a music video, really sweeps away the stereotypes of the fine and unified similar films. But it's just like the temperament of women from time to time, and the individual inexplicable shots all at once dissipated the comfortable and coherent visual perception before, such as the top of a tree full of branches. At that moment, you understand Miss Mai’s temper, but you can keep the tenderness as water as you think.
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