The biggest regret is that I want to express too much, too many characters, distract the audience, give the main characters time, and the event is not enough, which makes the depth lost.
The upside down Jesus is too long in the foreground, and the white horse is too abrupt.
The final performance of the actor really makes people feel a little bit intrigued by the director's intentions, just as the whole film gives me the feeling, is it a sense of fate and tragedy? Or the blood and tears behind the carnival crazy? Or is it ironic and self-deprecating black humor?
However, this kind of Poland, this kind of history, can feel many powerful things in the film, but the director always uses an attitude and method that I think is rather weird Jay's throwing away Violet is also a short follow), which makes me puzzled.
As a foreign audience who has only watched it once, I believe I misunderstood a lot. It's a pity that this film is more about my reason than my emotions. Of course, there are many reasons.
Really like this poem:
like a spark
collapse sent from your body
when the scattered fly
you involuntarily combustion
wanted to find their freedom
was destined to lose everything has become
only the heavy rains and ashes
then fall into the abyss forever
unconscious
moment of victory forever
in the depths of the bottom ash
shining light
that was left over from the diamond
----- Polish poet Qipulian. Noel Witt (Cyprian Norwid)
And write these down first
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