The plot arrangement is quite protracted. Many of the classic elements in Kitano's best-looking films have not yet fully appeared. In addition to the obvious rebellion against the classic story frame design, there are very few things in the picture compared to traditional movies. However, these pictures and their connections are not concise enough. He did not rely on violence to become our beloved Takeshi Kitano. He already possesses violence in this film, but we still don't know at this time that he can paint at the same time, warm and spoof.
Long-term calm suddenly matches short-term violence, cool and clean images suddenly match dazzling bright colors, and the silent and dull protagonist suddenly matches strange humor.
He is preparing all these ingredients, some have been prepared, but he hasn't matched them to get the most absolute and pungent part. Long and short, here are more, there are less. The first few films are like this.
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