The three stories of the three directors magnify the city life. The relaxed attitude allows the directors to let go of their hands and feet, but they express their inner shadows vividly.
One: [Interior Design]
-Existence and Location Michel Gunray’s imagination is amazing. For the various unsatisfactory portrayals of a pair of men and women in Tokyo, those traveling in big cities will resonate deeply with them. The screening of boys' movies does not seem to be a bad one, and it is a wonderful success in their clueless lives. It's just that such success did not bring a sense of existence to the girl. Where is the strong man who is rushing around Tokyo with a bunch of projection equipment at this time? Not the starring role of boyfriend movies, no place to live, interests and hobbies are actually not that great. . . So, where is your place in this messy and busy city? This kind of unattributed question in my heart is circling and circling. . . Hovering until it slowly turns into a chair. . . The chairs in the room can be in any position, inconspicuously in the messy furniture, may be left unused in the corner of the room, may be dragged from the dining table to the study, and occasionally used as a stepping stone. . . In the huge space of the city, there are chairs that can't walk around, and they stay silently in the stranger's house. Why are the chairs that exist quietly only by Hiroko. . . Hiroko said, "I have never lived in my own world." . . How about you?
Second: [Medel]——ODD? Or idol?
MERDE, as well as the big "shit" at the beginning of the film, Karax's preferences are sometimes really uncomfortable. The weird man with long green nails and white eyes that came out of the underpass was also because he was a certain performance artist while walking wildly on the clean and orderly streets of Tokyo. After that, his existence caused great chaos, and the most important thing was the strange behavior of this green guy, even throwing explosives on the streets of Tokyo. The rich political metaphors are not discussed here (see other comments for details), but in a well-organized city, what does the public think about a weird person? The urbanites are divided into two factions to oppose or pursue. Do you really know something about Midel? Of course not, it's just that such a major heresy has appeared in the city where life is repeated, and you can't ignore it. The blind crowd finally seized a small opportunity to shout, and the numb life in the city was stirred up. We complain that life is boring, but when a weird person appears, what kind of eyes will be cast? ?
Third: [Vibrating Tokyo]——The shock of change
Feng Junhao, an oriental man , is more comfortable with the silent details. The whole film has a slight sense of violent light, and we are also a little afraid of the sunlight outside the house. A ten-year otaku may be a bit exaggerated, but otaku culture has already spread to the city. The fear of change, the fear of communication, permeates the entire city. . . If it wasn't for a force majeure accident, how could he change? Why would you be willing to go out and look for it?
The buttons on Yu Aoi materialize people's performance. It’s not that we don’t pay attention, we don’t love, and we don’t move, but we have been used to hiding all these for too long. We don’t look at anyone and don’t touch it. We hate to change our lives, so don’t pay attention to who sent the pizza. We are old in our own fortress.
Fortunately, there are occasional accidents, just like time and space arrangements, forcing you and me to change something, rushing out, or reaching out. . . . I saw people suddenly rushing out to expose to the sun in the originally empty street. . . When we complain about the indifference of the city, under the bright sunshine and dazzling color, who is it that created the coldness of the city?
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