Kenji in the film is always looking for a way out of suicide. He has a morbid habit of cleanliness. Even in the face of death, he needs absolute silence and cleanliness. The prelude to his death cannot tolerate any violent knocks, brakes and randomness. The sound of impact. Every attempt failed to meet the conditions for his death. Kenji's gangster brother sees the rope he hangs on, just like seeing the books piled up in his house is commonplace. The film does not explore the reason why Kenji uses death as a way out, nor does it describe his inner activities too much.
The clean and gentle man played by Tadanobu Asano: Before he met NOI, he was alone, with a morbid cleanliness, a colorless house, no sex, no friends, no television, and sensitivity to fish. The single-toned clothes, socks, and the only red flower in the room is also a soulless material form. He is like a lizard, crawling in his personal world for a long time, motionless, looking for any chance of death.
Kenji killed the man who killed his brother. He wiped off the blood and hid the body under the table. He accidentally met NOI. He used his death experiment in exchange for the encounter of two lizards. This encounter made them both The lonely planet formed a universe, and the yin and yang poles were completely different at that time, but they were extremely gentle. I think that probably only after meeting another person does death become trivial.
I don’t think kenji loves NOI, because the object of kenji’s dreams is not NOI but her sister NID who was victimized in a car accident. He imagines NOI as NID. Perhaps it was the moment he saw NID smiling that he fell in love with her. Yes, maybe NOI has her sister's shadow on her body. Kenji took a sip of the leaf and hallucinated. The former concubine of NOI came to them to settle the accounts. In Kenji's eyes, NOI became NID again. He was willing to protect the girl who gave him a smile.
The illusion runs through this movie, of course, leaves are needed as an inducement. NOI's life has been greatly changed because of the Japanese. She divided her sadness of losing her sister, divided her life experience that was not mentioned in the film, divided her embarrassing career and hatred. They only had a brief dialogue together, but in the dialogue, she could feel her eager anticipation for Osaka. She looked forward to changing her current life in another city. She looked forward to meeting Kenji in Osaka. In the film, she cut her hair short in Osaka, changed to a new job, and carried the ash box that Kenji gave her. I think NOI missed Kenji. She hoped that Kenji would see her new Look like they did when they were cuddling together in the car.
The only funny thing about the film is that towards the end, Kenji returned to his home, packed up and prepared to leave. He pushed to the original neatly stacked books and suddenly felt sick in his stomach. When he was in the toilet, a man before NOI called his home to retaliate, but he was killed by the Japanese gangster who wanted Kenji to avenge him. Kenji in the toilet heard the gunshots. He could have escaped the catastrophe, but his natural cleanliness forced him to press the toilet to flush. In the end, it was because of this habit that his meeting with NOI was postponed.
How much is Thai cinema influenced by Japanese cinema? Perhaps in the process of learning, Thai movies will slowly disappear from Japan. It will also dispel the impression that this country has unclear gender distinctions in people's minds. In fact, shemales are just a gimmick of a country, and sadness is indeed a lizard crawling all over the world.
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