This film is even worse.
In the beginning, you thought it was a successful commercial film, not bad.
Then someone asked a question, dismissing it as a bad movie with chaotic logic.
Then you start to think deeply, start to draw the timeline, and start to mash it up, which is quite interesting.
Congratulations, then, you have been enchanted.
This is a story about changing history.
If you call the original world, the world that has not undergone any shock tampering on the timeline, it is called reality zero.
Then the incident in reality zero should be like this-the murderer used his car to carry explosives and exploded smoothly.
After the explosion, the male protagonist appeared, investigated (at this time, the partner of the female corpse was not dead, due to the two impacts in the time and space), and then entered the space-time team with cleverness (note that no clues to the female corpse were provided, which may be other clues), and then found It can affect time and space (please imagine not by observing the life of the heroine), and then the personality of the heroine will definitely try to change, so send a note to yourself.
So when sending the note, what they see on the screen is the new reality or the old reality.
If the transfer of the note is successful, (unsuccessful means that time and space cannot be disturbed, it will be fine) they will definitely see the note appearing, and they will watch the partner pick up the note, which will cause the heroine to have an accident. These things happened in the past and will inevitably be in reality zero, requiring the appearance of a corpse, but in fact there is no.
At this moment, if you say that the reality zero has disappeared, it seems that there is still room for discussion. Otherwise, it would be far-fetched to explain what happened with the truth zero, the agnostic.
In the same reality, there is no corpse before the impact point, and a corpse suddenly appears after the impact point. The two cannot coexist, so this reality zero seems to have to disappear.
Well, suppose that at the moment when Reality Zero successfully sent the note to the past point in time, it has disappeared. The creation of a new reality is called reality A.
The moment when Reality A occurs is the transfer of the note. The note triggers the murder of the partner, triggers the heroine's car, triggers the heroine's body, and causes an explosion.
After the explosion, the male protagonist appears and investigates (at this time, the female protagonist’s body partner is dead, sometimes the first impact on the sky, but there is no ambulance, no gauze, no u can save her, because there is no second impact), then Rely on cleverness (note the clues to the female corpse) to enter the space-time group, and then find that it can affect the space-time (by observing the life of the female lead), and then the male lead character will definitely try, so send the note. Watching the note transfer, the partner was killed, and it was discovered that the heroine was completely sacrificed due to the interference incident of the note. Then teleport yourself (note that the teleportation here does not see u can save her, because there is no second impact). For the time being, I believe that without this warning, the male protagonist will still try.
After teleporting himself, there must be an ambulance. So reality A disappears.
At the moment of teleporting oneself, there is reality B.
Reality B began at the point in time when he was teleported to. Note that the memory of the male protagonist at this moment was that he knew that he wanted to save the female protagonist but there was no gauze memory. At that time, there was already a note first, so the female protagonist has been introduced, but not yet. Be killed. It should be 2 hours before the explosion, he drove an ambulance to the murderer's den, so he had an ambulance. Back to the hostess’s residence, there is gauze, but no one sees the gauze and thinks that this gauze is their own, because the male protagonist who returned to reality B from reality A has no memory of gauze. So I don't realize that history has not changed so far. He posed u can save her, because at this moment he knew that he would visit the hostess's house. He indeed rescued the heroine from the murderer, and at this point he believes that the heroine can be saved. He tried to give himself a tip.
But he let the hostess stay at home, causing the murderer to go to the hostess's house and kill her. Then the explosion did not stop successfully. Turn off by yourself.
In the final reality, the male protagonist’s first reaction is to let the female protagonist stay at home. It can be seen that choice determines fate.
Maybe there will be a lot of truth here, maybe he failed to save the hostess in the murderer’s den, causing himself to be fed to the crocodile (forgot whether that hand was black or white), maybe he was in one of the corpse bags ……and many more.
From the final reality N, it can be seen that the heroine still plays a decisive role in determining whether the final ship explodes. Therefore, as long as he failed to save the heroine, it would be difficult to stop the explosion, and he would teleport himself back to that point in time again and again.
With every effort, the male protagonist who appeared after the explosion knew nothing. All his information can only be obtained by watching the time-space team tracking what happened before.
In the last reality N, the previous image seen by the male protagonist is still the murderer remotely controlled by a motorcycle. It can be seen that in reality N-1, the murderer did not keep up with the ship.
The beginning of the movie is exactly the reality of this N-1.
After the explosion, the male protagonist appeared, investigated (at this time, the female protagonist’s corpse partner was dead, there was also an ambulance, there was gauze, and there was u can save her), and then entered the space-time team with cleverness (pay attention to the female corpse clues), and found that it could be Affect time and space (by observing the life of the heroine), and then send the note. Watching the note transfer, the partner was killed, and it was discovered that the heroine was completely sacrificed due to the interference incident of the note. Then teleport yourself (note that this teleportation has a gauze memory. And you see u can save her).
At the moment of teleporting oneself, there is reality N. Because the man who returned to the past is already the male protagonist with the memory of gauze.
So when he saw his gauze, he realized that the gauze he saw at the hostess's house was his own.
Awareness so far he has not really changed the fate of the heroine.
Therefore, he no longer let the heroine stay at home.
Every effort and any choice will make this time develop towards a good result.
The last is happy ending.
The hero no longer has to waste huge power! ! !
In addition, the name of the film is Deja Vu.
So between reality and AN, is there any telepathy between the same male protagonist? Is there any contact? I believe there are. We can all believe that time can be distorted, multiple realities, is it so difficult to believe more in one dimension?
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