French films in Hollywood

French commercial blockbusters have always been of good quality, because they have Luc Besson, they have Jean Renault, and a group of talented directors, screenwriters, and actors that I cannot name. Like "Undercurrent" and other movies, this film is also very exciting. Two hours passed without knowing it. Especially the final ending is really unexpected. It feels that there is only one word "cool". Unlike fast-food-style formulaic Hollywood police films, only the French can make such artistic commercial films. The content of the film tends to the dark side, so the weather is also rainy and foggy, and the scenes are mostly in the corners of sewers and slums. The heroine is often frightened by the hallucinations, which also adds a lot of horror to the film. As a commercial film, these are all eye-catching highlights, and the director grasps the essence of this type of film. However, if you look closely, the film has absorbed a lot of nutrients from Hollywood. Films such as "Memory Fragments" and "Face Changing" are the source of the film's themes. There is also a CS plot that became popular after "911", and even "Uninterrupted" The undercover plot of "Tao" is also used, but the combination is very clever.
The rainy scene makes people think that the story takes place in London instead of Paris; the underground blocks and slums are suspected to be in a certain Asian, African, and Latin American country. However, only after seeing the Arc de Triomphe did I know that this is Paris. That's right, this is the holy place that almost all girls yearn for-Paris. When I watched "13th arrondissement" before, I didn't believe that Paris would be messed up like this. I thought it was an exaggeration of the movie. However, the large-scale riots in Paris last year made people have to re-recognize the city. Although there is a strong artistic atmosphere, the large number of immigrants also brought a lot of uneasy factors. Therefore, this film still reflects some social realities. It seems that the moons in foreign countries are not necessarily rounder than those of Omen.
Jean Reynolds, "This killer is not too cold", "Mission Impossible", "Green Mustard", "Undercurrent" and other movies made me like this stubble face. He was so cool in this film that he was shocked when he appeared on the scene. He was actually dug out from a nursing home, reminding me of the Fire Cloud Cthulhu in "Kung Fu". Unlike English films, the French films made by Jean Reynolds are completely different in style, such as "Undercurrents" and other films, they all play cool police officers, and the case is completely Hollywood-style and full of American-style ridicule. And violence. It's interesting to pretend to be French in English films and American in French films. This may be the reason for his unique charm. The other actors in this film are also very good, although I can't name them. They have a common characteristic, clear chiseled, madly temperament. Unlike Hollywood actors, they think of hamburgers and KFC as soon as they appear on stage. It's a pity that the French are too lazy, making so many commercial films a year, which is utterly appetizing.
This year, the Oscars are all art films, Europe is madly making commercial films, and in China, art directors are madly making commercial films. It's not that I don't understand, the world is changing fast.

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