Of course, the best movie is the structure. (Now movies are playing structure)
my favorite part is that the director disassembles the time at will, and disassembles the
vivid and thick material, the overwhelming information, and the
story is clearly structured. ,
But it is very casual when it is swiped, with the kind of natural energy of arrogance.
It reminds me of "A Rainstorm is Coming". The rainstorm is divided into three parts.
This one is cut up, and this one is more delicious.
Of course, the religious and fatal sadness of the rainstorm is even more touching.
Watching this kind of movie, I really don't dare to relax at a stretch, and I don't dare to distract myself at all.
Of course, there are many standards for movies,
but if there is only one standard to define a good movie, (I think it is also a standard that no one can overthrow)
I think it is this: a movie that makes it impossible to look away is a good movie.
Many things are part of the main story narrative, (such as the red dress that the Mexican nanny can’t wear,
such as her little love with the Mexican man, which has nothing to do with the development of the story, but the characters
are written), but they can all enter Come
from the movie: All-inclusive, self-contained universe.
I really like the randomness, accuracy, and fullness in the shoulder-mounted camera:
it's like writing prose to the highest level, it looks like a novel, but it doesn't.
Break free from all constraints and don't care about the principles of photography.
It seems that a young layman is shooting casually.
There is no aesthetic style to speak of,
but when the sentiment and atmosphere are needed, that kind of skill comes out.
I think what I want to shoot must also be this kind of video style: I
must move.
The kind of Fudo Mingwang, the machine is there, just shaking and moving in the smallest arc,
that's not what I want.
I have to admire Hollywood and the American film industry:
they can absorb foreigners like Gonzalez into their own film system,
and then they can let them make very style works,
content and ideas, which can be useful to American life. And the reflection, criticism, and even strong dissatisfaction of the American spirit.
It is precisely because of this that America has become America, and
Hollywood has become Hollywood!
Watching the master's movies often feel pessimistic:
the world itself has not made much progress, and
after the death of the master, neither will the movies.
And watching this kind of movie is exciting:
young people are always making movies, with all-inclusive minds, squeezing out all their geniuses with new inspiration and creativity,
they are making contributions to movies, and this is the kind of person. , So that the movie is always a movie.
And it is this kind of person, this kind of movie, that can smell a general trend:
like "Crazy Stone", like "Unlucky People", like "Fire Spear",
like "A Life of Pine Nuts Can Be Disgusted" "...
The popular trend of world cinema is here: it
is no longer as meticulously structured as classicism a story, exploring cause and effect or ethics,
and no longer focusing on expressing certain thoughts or emotions, or human conditions like modernism.
In these movies, each character will not write deeply, and each character relationship is also dotted. There are many but not complicated, messy and not chaotic.
The greatest significance of their existence is to become a piece of material,
just like a DJ playing DJ. The material
can be edited, collided, cut and combined
at will, bursting out the greatest degree of light in this collision.
In ideology, it is no longer inward and introspective, but divergent outward, intervening in reality, paying attention to politics, and reflecting on the present.
Simply put, how cool it is.
That said, I still admire Jia Zhangke, because "The Good Man in Three Gorges" is also the same way,
I think it is better than "Tongtian Tower".
Young people are making movies in this direction:
I hope that is our direction.
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