Tunisian Asson lowered his head and kissed the red scarf, the camera faded out, and the movie entered the last five minutes. Mona's most desolate journey (or the beginning of Nirvana) began here. Mona was unable to find the bread in the strange village, and what was waiting was a few strong men attacking for no reason. The fear on Delina Bonaire’s face comes from the heart, and Bonaire himself said that there is no need to perform that scene at all). The first layer of the mask may be the local men celebrating this bizarre Bayas Festival, who played a trick on Mona who did not understand the rules of the game, and the second layer of the mask is for every bystander, every We all wore masks on the faces of the audience, thrust the blade into Mona's spine, then took it off, and turned around to have a good dinner. It’s just that someone looks at her, wearing a blanket full of holes, bit by bit in the coldest years, the moment we want to reach out, she has fallen into the cold ditch, the world is silent, only Mona is left. The sound of groaning and crying came from foot, biting and hurting every heart that is still warm.
Varda took two shots of this scene of death, and she finally chose the first time, because this time Mona's blanket opened at the moment she fell, like the wings of a bird. It's just that I don't know if the bird is setting off or breaking its wings.
Mona chose freedom itself, not for anger or resistance, so Varda said that no matter what happened to Mona in the end, she was not a victim. The fate of Mona who came from the sea was later revealed by the shepherd she met: the end of the road is destruction, so you must stop. However, Mona was determined to play with absurd freedom. She left the shelter provided by the shepherds and a piece of land for farming, and set off on the road again. For Mona, with the same dark fate, she chose to be judged by nature and bypassed in the cruel world. The face is tattooed, the water of life will never forgive the burning of life, Mona can only let the fire light continue as long as possible cautiously. For Varda, killing Mona started with the fire in a dangerous house where a group of homeless sojourners lived. Everything in Mona was wiped out, except for the blanket on her body. This last night was so cold that people were heartbroken.
The dawn is dawning, and we already know her destiny.
I have also projected my dreams on every endless highway, planning a flight in black and white, locked in a drawer, as the biggest secret, I thought, how can you push me to grow in a small coastal city like the sky? The freedom of the earth is boundless. However, after a movie, the image is projected into the narrow cloth bag of fate, covering every beam of hope, leaving only a sigh, and then turning around, on a rotten assembly line, and all the past The people who wrote poems in Hengqi and complained about it, processed the canned rotten meat, and the raw material was Mona's head.
I replaced the computer desktop. It was a picture of Christopher McCandless leaning on the run-down bus No. 42 and smiling (I was so addicted to him). If Sean Penn had seen this movie, he would not change the story of Into The Wild. The years of becoming a school are peaceful and stable in this world. On the road, there are no kind female truck drivers, no kind old people to adopt, and no unusually magnificent deaths. If there was anything, it would be a pair of red boots with rotten skins, a long French strip that was too dry to swallow, and a cold ditch. Varda said that she only wanted to shoot freedom and dust, but I turned around, closed the door, and cut the Chinese clothes into ordinary cloths, silently in front of the window, and stopped getting up.
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