Quoted above.
The origin of the question refers to the range of her activities allowed by the electronic shackles. The police placed a small signal station in Marnie’s home. When she leaves the signal station more than 100 feet, her shackles will prompt her, which will prompt her after 3 minutes. If it has not returned to within 100 feet, the signal station will report to the monitoring center. This is the most rewarding thing about this film. I used to think that the handcuffs of prisoners were located by satellites, but I didn't pull them like that.
At the beginning of the film, there were a few misunderstandings. The atmosphere was tense, but it was all right. It was just a mystery. Then when the ghost appeared for the first time, it really scared me. It was unexpected. Later, ghosts appeared many times, mainly to abuse Marnie, but overall there was nothing scary. I was especially disappointed in the scene where the ghost wanted to drag Marnie's hand into the shredder. The power of this ghost is too small!
Marnie cleared all the belongings of her ex-husband according to the instructions in the book, but the ghost continued to appear. So Marnie called a little boy to the house to accompany her, and the two were having sex. The ghost appeared. Because they were in a traditional posture, only Marnie could see the ghost. Marnie first opened his eyes in horror, and then resolutely. Suppressing the panic, the little boy completed a wonderful sex without knowing it, and the ghost gradually disappeared. Seeing this, I suddenly understood, is the film about the greatness of love? Is it the power of love that makes ghosts retreat?
I haven't finished thinking about this problem. The ghost suddenly appeared and crushed the bones of the boy's body (his strength suddenly increased). It turned out that the ghost was still a psychologist. He deliberately paralyzed Marnie before giving her Greater horror.
At the end of the film, Marnie threw their wedding ring back to the ghost, so everything is over. Although this strictly conforms to the theory mentioned in the film that clearing out all the ghost’s objects in his lifetime can make him go away, but the wedding ring At the end, it can be seen that what the director wants to express is the greatness and pain of love.
After the ring was thrown out, the two sides were cut off, and there was no connection, and the ghost lost the reason for entanglement. This seems to be a woman who suffers from domestic violence in the education reality: cut righteousness with him, as long as you have even a little bit of love to him You will continue to be tortured by the naive vision of the prodigal son turning around. When the ghost received the thrown ring, he suddenly stopped being ferocious and recovered his human form. It can be said that he turned his head as soon as he hit the south wall and gave up his heart when he saw the Yellow River, but it was a pity that he was wiped out in the world immediately afterwards. It was too late. Come on!
So pessimistic, this director must have come into contact with too many incurable bad men, poor.
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