The scenes of the film are very lifelike: homes, campuses, supermarkets, bars, New Year’s parties, hospitals, Loic has never been seen, it seems that the director did not deliberately create a heavy and sad atmosphere (instead, he was passionate in Lili and Thomas’ tent. It was humorous while lingering in that scene). But there is a kind of emotional moisturizing that infects the audience silently. I always feel that the role of a father should be able to resonate with many Chinese parents: ordinary, even mediocre in the eyes of their children, but they have built the whole home with their own hands: for the house, for the children to go to school, and satisfy their children. Material and cultural needs... However, because they are not good at expressing their feelings for their children and lack of effective communication with their children, their contributions to the family not only fail to be recognized and appreciated by their children, but sometimes cause complaints and grievances from their children. misunderstanding. In the movie, we see an image of a father who would rather leave the sadness to himself than let the truth hurt his daughter. There is also such a detail in the film: In the postcards Lili received, the name of his father has always been "le con" (that fool); the letter mentioned some previous conflicts with his father, and there is a lot of irony to his father. language. When the father tried to imitate the child’s tone and
wrote these words, it can be said that he has a deep and clear understanding of the relationship between himself and the child; but, after all, the father is the father, no matter how deep his understanding, he and Lili still has communication barriers between father and daughter.
It is worth mentioning that Kad Merad, the actor who played his father. I only knew his funny skills in Bienvenu chez les ch'tis before, but I didn't expect to be able to interpret the role of this somewhat sad father. No wonder he can beat Dany Boon and others with this role to win the Caesars Award for Best Supporting Actor.
At the end of the film, the soundtrack that runs through the film sounded again, but the music suddenly changed and became a lively piano accompaniment. Lili and Thomas agreed to see the sea together. I don't know if the sea in French also represents the image of open-mindedness and broadness. However, what is certain is that from now on, Lili can proudly say to Loic who is far away from him: Je vais bien, ne t'en fais pas. Just as the "fake Loic" said to Lili on the first postcard.
Life goes on. To paraphrase: "The dead rest in peace, the living are strong." I think this is an ideal interpretation of the title of the film.
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