The first movie of Takeshi Kitano I watched was also Takeshi’s debut. In terms of perception, I can really feel the saturation of the characters. However, from the plot, I always have a sense of anxiety that I can't expose the fog. The absurdity of the ending conflict, the hesitation of the murderer, the desire of the gang raped sister, and the reason why Qingxuan killed the fellows are unknown. The symmetry between Ryosuke and Qingxuan, the younger generation and senpai on the street. Everything seems to be said in the mouth of the successors of the bandit faction: This world is already too crazy. With the light on, Ryosuke who was slaughtered with a pistol fell into the absurd room together with many crazy people. When the light went out, Liang Jie fell into the light outside the door, struggling and lonely. Ridiculous story, plump character image. I think that a good movie needs to be supported by a self-consistent logic. The emotions, sorrows, sorrows and abnormal behaviors of any character need to be causal, which is the so-called "no ooc" formed by Ryousuke and Qingxuan (the bandit’s killer seems to be called this) symmetry. It is the same murder, both of them are incomprehensible incarnations of violence, but they also possess incomparable wisdom. Before revealing the fog, I tentatively set the score at 8 points. The shooting technique is excellent and the characters are full, but the plot frame is doubtful. However, the meaning of brutality has not been extended. Is it fierce and gentle at the same time, or just telling why fierce becomes fierce? In the current perception, I think these two themes are a bit simpler. The plot urgently needs to be understood. The remaining 2 points need to be added after I carefully ponder it.
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