"Then We Danced" I watched half of it yesterday, and today it happened to be finished at 520. The previous plot is the same as the ordinary love story, meeting and getting along with each other. The highlight is that the male lead shows his love through dance. Raise love to the level of art. But raising it to the level of art is not to make the film more enjoyable and advanced (of course it does), just like I think art is not a glamorous surface, but a deeper emotional expression. At night, under the orange light, put on a big white headgear, big enough to cover his face, dance, stand on the sofa, smoke a cigarette and look down on his lover, dance. The halo here is the halo of his love. In love, be brave, passionate, simple, looking forward, and make yourself better for love. These are so beautiful, his love is so beautiful. Even if the person you love is not worth it at all. The plot turned abruptly. The one you love doesn't answer the phone and loses the connection. Cold violence is painful. It will make people's hearts look like holes, they can't be filled with anything they do, and they are always empty. The rescued person is not here, only torturing himself. While missing painfully, while facing a mess of life. Seeing that the progress bar is still so long, I can't help feeling cruel. The climax of the play is a dance at the end. This dance has been danced many times before, and has been stopped many times, and he has practiced it intermittently at home for many times. Here finally, jump out completely (there are many places for this kind of foreshadowing, such as milkshakes, such as earrings). It is a dance that has always been emphasized by "authority" to jump out of the national spirit and out of the heroic spirit of men. But how to describe his dance is not a one-sided tough guy style, nor a misunderstood feminine style. I think what jumps is a certain spirit of being a human being. It's a dance for a person with love and an independent spirit. Just like in the 1950s and 1960s, there were many theories that required writers to implement the policies of the time and reflect what spirits when creating. But this theory-first approach will cover a lot. Life is rich, multi-faceted, and holistic. A single theory cannot reflect what our lives as human beings are like, what our emotions are like, or what we are like in reality. What is the spirit here? It is a kind of Stoic spirit that Teacher Huaisha said. In the face of "failed" love, how to stand up after being sad and crying, how to dance with injuries (his injured ankle is bleeding). How to break up and how to be strong quickly is what love needs to be faced and learned by the person in it. Suddenly, I thought of Qingque, of the people who passed by and of myself. Those nights, and the sun the next day. During the dance, his expressions and stretching movements all told me: at this moment, he is free. After the dance, take off the dance clothes, go out, close, and don't look back.
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